title: Gaston Bachelard’s theory of four poetic temperaments: On the affinity of the poet
metadata.name: dc.contributor.author
metadata.value: Morawska, Kamila
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-09-20T14:48:52Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-09-20T14:48:52Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Morawska K. Gaston Bachelard’s theory of four poetic temperaments: On the affinity of the poet. Vestnik of Saint Petersburg University. Philosophy and Conflict Studies, 2022, vol. 38, issue 2, pp. 165–176.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu17.2022.202
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/37823
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: If Bachelard as a philosopher of science reveals in his epistemological works the negative significance
  of the image as a factor inhibiting scientific progress, as well as the source of epistemological
  obstacles, then as a poetry philosopher he aims to determine its positive value in
  the poetic-oniric domain. By discovering the value of the fertility of images and the existence
  of material images dictated by presocratic elements of nature — fire, water, air and earth — he
  proves the importance and autonomy of the image in the field of aesthetics and artistic creativity.
  Together with the application of the method appropriate for these studies, bringing the
  subject closer to the subject in close subjective experience, as opposed to its “cold” form, the
  image becomes known as the essential activity of the psyche. Imagination, “as the first and
  vital function” (Bachelard) of the psyche, delves into its first being, which is an image. Imagination
  — so deeply inscribed in the creative, affective, but also the unconscious constitution
  of the subject — from the point of view of its content appears as material imagination. We
  know that the image gains a material meaning in contact with cosmological substances — it
  derives its content from the symbolism of the four elements: fire, earth, water and air — which
  Bachelard calls “imagination hormones” — thanks to them “man grows mentally”. This article
  presents the first definition of a Bachelardian image: an image as a composite and combination
  of archetypal forms of the unconscious that belong to man/poet with material materiality of
  the perceived external world independent of him.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Philosophy and Conflict Studies;Volume 38; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Bachelard
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: psychoanalysis
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: aesthetics
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Gaston Bachelard’s theory of four poetic temperaments: On the affinity of the poet
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14036-Текст статьи-46307-1-10-20220728.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/37823/1/14036-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-46307-1-10-20220728.pdf
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