title: The presence of the possible world of cinema text in the modern screenplay
metadata.name: dc.contributor.author
metadata.value: Martianova, Irina A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-07T19:30:42Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-07T19:30:42Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Martianova I. A. The presence of the possible world of cinema text in the modern screenplay. Vestnik of Saint Petersburg University. Language and Literature. 2022, 19 (3): 546–558. https://doi.org/10.21638/spbu09.2022.309 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2022.309
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39057
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article analyzes the presence of the possible world of film text in A. P. Zvyagintsev’s and
  O. I. Negin’s screenplay Dislike. This text for the first time became the subject of philological
  analysis using comparative and contextual-functional methods. The director’s published comments
  allow tracing the path from the literary screenplay itself to the film text. As a result of
  the sampling of linguistic material, which reveals the presence of the possible world of the film
  text in the script, the specificity of its categories (integrity, coherence, completeness, dynamics,
  etc.) was revealed. The possible world of cinema text determines the a priori variability
  and uncertainty of the script text. The article reflects the features of the scenario functioning
  of lexical-grammatical and syntactic language means. The screenplay and the film text are
  interdependent, but not identical entities. It has been established that the development of the
  technical parameters of the film text has an indirect effect on the film script. One of the aims
  of the study is to critically analyze the notions that the screenplay does not have the merits of a
  literary text. In the course of analyzing the presence of a possible world of film text, the working
  hypothesis was confirmed that a film script is a text with a motivated violation of communicative
  and pragmatic norms (accuracy, relevance, expressiveness). It represents a new type
  of text, the anomalies of which are due to its intended purpose for semiotic translation into
  cinematic text, the diverse nature of its receptive program.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 19; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: screenplay
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cinema text
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: possible world
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semiotic translation
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The presence of the possible world of cinema text in the modern screenplay
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14892-Текст статьи-49496-1-10-20221206.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39057/1/14892-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-49496-1-10-20221206.pdf
resources.format: Adobe PDF
resources.size: 647,04 kB