title: LINGUISTIC ANALYSIS OF THE WHOLE TEXT IN THE GENRE OF NOTES
metadata.name: dc.contributor.author
metadata.value: Rogova, Kira A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-05-12T14:58:59Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-05-12T14:58:59Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-04
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288062353.21
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/36338
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to the interpretive analysis of the whole text in the genre of notes
  of the St Petersburg writer M. N. Kuraev “Lenfilm” was!.. (2019). The work fits into a literary
  series dedicated to the bygone era, evoking opposite assessments, which find
  expression in irony in relation to the governing beginning of the organization of life
  and respect for the creative activities of people, in this case in the field of cinema.
  The author of the article attempted, on the basis of a consideration of the information structure of the text, to identify the principles of its organization: division into parts,
  the order of their following, the intentional settings that determine the selection and
  organization of language means. The reference to the composition of the text, which is
  fundamental for the analysis, made it possible to note the features of an organization
  that is different from the currently actively studied narrative: the connection of the
  compositional parts in it is determined not by temporary, as in the narrative, but by
  logical relations; to some initial thesis — a milestone in the presentation of content.
  Such an organization, which goes back to the functional-semantic type of speech —
  reasoning, does not exclude the inclusion of a “horizontal” line of development of the
  semantic content of the text, a kind of leitmotif in the information structure of the text.
  The variety of compositional components manifested itself in their intonational differences
  associated with the emotional state of the author at the moment of description,
  which is typical for ego narration, marked by a variety of intonation patterns of the text
  as a whole. Semantic analysis revealed a somewhat overestimated orientation of the
  author towards a common cognitive fund with the reader, which is noticeably shrinking
  over time. At the same time, an assumption is made about the interest that the text can
  arouse among readers of different ages. Refs 14.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: St. Petersburg University Studies in Social Sciences & Humanities Vol. 2 Proceedings of 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019);Volume 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: essay
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: types of composition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: thematic components of the text
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: linguistic implementation of the concept
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semantic movement to the finale
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: LINGUISTIC ANALYSIS OF THE WHOLE TEXT IN THE GENRE OF NOTES
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Book chapter
metadata.lang: en_GB
resources.filename: 349-361.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/36338/1/349-361.pdf
resources.format: Adobe PDF
resources.size: 715,91 kB