title: Landscape Painting as an Expression of the World Picture of the New European Subject
metadata.name: dc.contributor.author
metadata.value: Naumova, Olga A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-05-31T12:58:19Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-05-31T12:58:19Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Naumova O. A. Landscape Painting as an Expression of the World Picture of the New European Subject. Vestnik of Saint Petersburg University. Philosophy and Conflict Studies, 2024, vol. 40, issue 1, pp. 155–165. https://doi.org/10.21638/spbu17.2024.113 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu17.2024.113
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/45479
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The current study focuses on landscape painting as a genre, which could reveal itself only in
  the Modern Era because of the particular qualities of the worldview. In order to identify the
  relationships between philosophy and art, the background of the genesis of the worldview
  has been analyzed through the M. Heidegger’s theory. According to him, there are five main
  aspects of the Modern Era: science, machine technology, shaping art as a subject of human
  sensibility, considering culture as the realization of the highest goods of man, the loss of faithe
  in gods or desacralisation. Also the concept of the ’worldview‘ which underlines the value of visual perception has been determined so that we could ascertain that this term is more appropriative
  to describe this aspect of mentality of the Modern Era. Therefore, the subject is
  similar to an artist who highlights essential features of an object and represents it in a picture.
  The study provides strong evidence that landscape painting illustrates that the subject separates
  the object from itself as well as a human is taken from the nature. In this case, landscape
  art can be explained as a scheme of the external world, which an artist wants not only to know
  and to systematize, but also to transform in accordance with his own needs. The conclusions
  demonstrate the significance of landscape painting as a reflection of the ideological attitude of
  the Modern Era, which is aimed at the objectification of the nature.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Philosophy and Conflict Studies;Volume 40; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: worldview
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: landscape painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the new European subjectivity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Heidegger
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the image of the world
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Landscape Painting as an Expression of the World Picture of the New European Subject
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 2024,+(1)+13.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/45479/1/2024%2c%2b%281%29%2b13.pdf
resources.format: Adobe PDF
resources.size: 624,46 kB