title: THE VISUAL STRUCTURE OF THE OLD IRISH POEM “CROS CHRÍST”
metadata.name: dc.contributor.author
metadata.value: Ilgova, Daria A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-10-24T15:29:43Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-10-24T15:29:43Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2782-1943.2023.15
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47819
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The present study is devoted to the analysis of the visual structure of the Old
  Irish poem “Cros Chríst”, which was presumably written in the X century and
  is an example of lorica (a Christian hymn for a believer’s protection). The aim
  of the study is to build a visual structure of an Old Irish poem, the case of
  “Cros Chríst”, with the opportunity to use this structure to analyze other Old
  Irish poems. In order to achieve this goal, it is necessary to prove by the intermediate
  analysis that the visual structure of the poem “Cros Chríst” unfolds
  at several levels simultaneously: verbal (the word-level analysis), audial (the
  analysis of auditory techniques expressed visually in the text, for example, the
  Old Irish alliteration that has an external expression), material (the analysis
  of the text location in the manuscript: drawings, marginal glosses, comments
  and the influence of the font on the text’s interpretation), synesthetic (intersensory
  associations, the interpretation of the poem by a reader-viewer).
  As the result of the conducted research, it was discovered that the visual structure
  of the poem (grammatical and graphic parallelism), as well as the visual
  techniques (the use of anaphors, epiphoras, circle forms, etc.) make it possible
  to form a consistent image of a person and the world (from the particular to
  the general). In addition, the poem forms a symbolic image of the cross as a
  talisman, which can have both material and immaterial embodiments. This
  study allows for taking a fresh look at the ability to interpret an Old Irish poetic
  text by referring to medieval manuscripts and constructing a multilevel
  visual structure of a poem.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Synergy of Languages & Cultures 2023: Interdiscipilinary Studies;
metadata.lang: -
metadata.name: dc.subject
metadata.value: Old Irish poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: visual structure
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: levels of visuality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: manuscript
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: intermediality
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: THE VISUAL STRUCTURE OF THE OLD IRISH POEM “CROS CHRÍST”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 174-183.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47819/1/174-183.pdf
resources.format: Adobe PDF
resources.size: 1,96 MB