title: Man Ray the artist and the photographer: Experiments in modernism
metadata.name: dc.contributor.author
metadata.value: Averyanova, Olga N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-04-05T10:14:06Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-04-05T10:14:06Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Averyanova O. N. Man Ray the artist and the photographer: experiments in modernism. Vestnik SPbSU. Arts, 2018, vol. 8, issue 1. pp. 37–51.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2018.103
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/9339
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article investigates the photographic practices of one of the famous artists of American
  origin, Man Ray, between 1910 and 1940. Special attention is paid to Ray’s experiments which
  are still unique. The author comes to the conclusion that these experiments are a semiotic
  model of modernist investigation in general. He argues that the modernist artist as a “creative
  subject”, whose activities are now connected with commercial art as well, sequentially synthesizes
  the cultural strategies that were put forward by time. He generates “creations” that
  correspond to the queries of the author’s identity, as well as the consumer market. Photography
  and film as mediums of the new type created a different configuration of artistic practices
  beyond the traditional styles of art, but in collaboration with its avant-garde directions. Based
  on the foregoing, the author conceptualizes the terms in a completely new way: borrowing,
  coincidence, repetition, mechanization of creative acts, as well as indexicality of authorship
  employing the example of Man Ray’s experiments. The novelty of the research is determined
  by the attempt to analyze the artistic heritage of one of the famous modernists within the discursive
  field of the synthetic practices of the first third of the 20th century.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: modernism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Man Ray
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: photography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: rayography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: solarize
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cubism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: futurism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: avantgarde
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ready-made
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Dada
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Man Ray the artist and the photographer: Experiments in modernism
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03-Averianova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/9339/1/03-Averianova.pdf
resources.format: Adobe PDF
resources.size: 645,36 kB