title: SYMBOL STRUCTURE AND ALLEGORY AS OBJECTS OF ETHNO-TRANSLATION
metadata.name: dc.contributor.author
metadata.value: Idrissova, Elmira T.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-10-24T13:05:25Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-10-24T13:05:25Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2782-1943.2023.14
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47818
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This study analyses the visual structure of the Old Irish poem ‘Cros Chríst’,
  believed to have been written in the 10th century, and is an example of a lorica
  — a Christian hymn for a believer’s protection. The objective is to construct
  a visual structure for an Old Irish poem, specifically ‘Cros Chríst’, which can
  be used to analyse other Old Irish poems. To achieve this goal, it is necessary
  to demonstrate through intermediate analysis that the visual structure of
  the poem ‘Cros Chríst’ unfolds at multiple levels simultaneously. These levels
  include verbal (word-level analysis), audial (analysis of auditory techniques
  expressed visually in the text, such as Old Irish alliteration with external expression),
  and material (analysis of the text’s location in the manuscript). The
  text discusses various factors that can influence the interpretation of a poem,
  including drawings, marginal glosses, comments, and the font used. It also
  mentions synesthetic associations and how a reader-viewer may interpret the
  poem. The research findings indicate that the poem’s visual structure, including
  grammatical and graphic parallelism, as well as the use of anaphors, epiphoras,
  and circle forms, contribute to the formation of a coherent image of
  both the individual and the world, moving from the specific to the general.
  Furthermore, the poem symbolically represents the cross as a talisman, which
  can manifest in both tangible and intangible forms. This study provides a new
  perspective on the interpretation of Old Irish poetic texts by utilising medieval
  manuscripts and constructing a multilevel visual structure of a poem.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: Written within the framework of the project “Scientific concept of Kazakh rhetoric:
  rhetorical ideal, identity, argumentation and speech practice”.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Synergy of Languages & Cultures 2023: Interdiscipilinary Studies;
metadata.lang: -
metadata.name: dc.subject
metadata.value: reflexivity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: rhetorical argumentation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: worldview
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: accurate translations
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Asan Kaigy
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: SYMBOL STRUCTURE AND ALLEGORY AS OBJECTS OF ETHNO-TRANSLATION
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 164-173.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47818/1/164-173.pdf
resources.format: Adobe PDF
resources.size: 659,65 kB