title: “L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice
metadata.name: dc.contributor.author
metadata.value: Panov, Alexei A.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Rosanoff, Ivan V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-09-21T11:10:37Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-09-21T11:10:37Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Panov, Alexei, and Ivan Rosanoff . “‘L’Ornement mystérieux’ and Mark Kroll’s revision of the French baroque performance practice”. Vestnik of Saint Petersburg University. Arts 8, no. 3 (2018): 328–55.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2018.301
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/14928
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The interpretation of ornaments has always attracted much attention of scholars and performers.
  Many Baroque musicians in their turn took pains to provide an explanation of ornaments
  realized in notation. Tables of these musicians have been thoroughly studied over the last one
  hundred fifty years, particularly, François Couperin’s table “Explication des Agrémens, et des
  Signes” which he included in his “Pieces de Clavecin” (1713). The authors of the present article
  came across a paper “L’Ornement mystérieux” by Mark Kroll published in Early Music 45,
  no. 2 (2017): 297–309. At first glance this work seemed to present a solidly founded hypothesis
  pertaining to the execution of one of Couperin’s ornaments, namely, to the “compound
  ornament” marked by the combination of a trill with a turn written above it: . According
  to M. Kroll’s new hypothesis, this compound ornament should be performed not in the traditionally
  accepted manner when the trill is performed first, and the turn — afterwards, but
  in the reverse order. Practically everywhere Kroll names this ornament also in the reverse
  version: “doublé/tremblement”. The purpose of the present article is to prove that the new hypothesis
  is basically unacceptable. Kroll did not pay due attention to the research of sources,
  relying only on four of them, while there were many more. In addition, the study of other very
  important historical sources showed that the turn was performed at the end of the “compound
  ornament” marked by the sign . Therefore, this conclusion also attests that the previous recommendations
  by A. Farrenc, A. Dolmetsch, P. Brunold, A. Geoffroy-Dechaume, K. Gilbert,
  Fr. Neumann, D. Tunley and other musicians, despite the fact that they were criticized by
  Kroll, on the whole, were correct.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The reported study was funded by RFBR according to the research project № 18-012-00208.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: French Baroque music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: French harpsichord music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Baroque performance practice
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: François Couperin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: L’Ornement mystérieux
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ornamentation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Tremblement et Double
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the compound ornament
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: doublé/tremblement
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: “L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 01-Panov.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/14928/1/01-Panov.pdf
resources.format: Adobe PDF
resources.size: 2,98 MB