title: A Productive Trinity
metadata.name: dc.contributor.author
metadata.value: Kleyman, N. I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-06-07T15:56:30Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-06-07T15:56:30Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Kleyman N. I. ‘A Productive Trinity’, Modern History of Russia, vol. 11, no. 1, 2021, pp. 230–232.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu24.2021.116
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/29229
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This Thing of Darkness by Joan Neuberger, about S. M. Eisenstein’s film “Ivan the Terrible”, is the result
  of enormous work by a professional historian, a serious art critic, and an experienced teacher. The most important
  features of this productive trinity were manifested in it: a deep knowledge of the history of Russia (equally
  in the 16th and 20th centuries); a subtle understanding of the specifics of art in general and cinema in particular;
  the ability to clearly and easily present one’s observations, hypotheses, and conclusions; and finally (last but
  not least), the successful penetration into the creative world of Sergey Eisenstein, a director and theoretician,
  draftsman and psychologist, connoisseur of classical world culture and courageous experimentalist-modernist,
  but at the same time an honest person and a politically minded citizen of his own country in the tragic period of
  its history, that of Stalin’s tyranny. The author was lucky enough to witness the long-term evolution of this work,
  from earliest experiments to the publication of a fundamental monograph. In the process of researching archival
  materials and as we penetrated into the film itself, the circle and type of questions changed. The author expresses
  confidence that from now on, not a single serious specialist in the history of Soviet cinema, not a single biographer
  or researcher of Eisenstein’s work can do without the wonderful work of Joan Neuberger.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Modern History of Russia;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Eisenstein
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Ivan the Terrible
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Stalin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Neuberger
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cinema
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: A Productive Trinity
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 230-232.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/29229/1/230-232.pdf
resources.format: Adobe PDF
resources.size: 711,73 kB