title: INTERMEDIALITY IN PU SONGLING’S PROSE ON THE EXAMPLE OF THE SHORT STORY PAINTED WALL
metadata.name: dc.contributor.author
metadata.value: Ignatenko, Alexander
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-03-15T08:17:57Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-03-15T08:17:57Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-12
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288062049.01
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/35683
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article presents a new approach to the analysis of the novel Painted Wall by
  Pu Songling (蒲松齡, 1640–1715) based on the method of intermedial analysis. The novel
  considered in the article, which is far from the last place in the work of the classic, has
  not been considered before in the aspect of intermedia. In this regard, the main purpose
  of the article is to analyze the presence of a non-verbal pictorial “language” in a story, to
  form an idea of an intermedial-ekphrastic representation as a specific artistic technique
  used by Pu Songling. On the basis of the material of the story, a particular case of the
  writer using an ecphrastic description of a painted wall, which is based on the principle of highlighting the motive of mystical “revival”, is considered. In the course of the study,
  it was possible to find out that the manner of the ecphrastic description of the painting
  presented in the novel is built precisely in the aspect of intermedia, that is, from the point
  of view of the representation of the non-verbal artistic “language” in verbal discourse.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Proceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)";Volume 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Chinese literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pu Songling
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: intermediality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ecphrasis
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: INTERMEDIALITY IN PU SONGLING’S PROSE ON THE EXAMPLE OF THE SHORT STORY PAINTED WALL
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 11-16.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/35683/1/11-16.pdf
resources.format: Adobe PDF
resources.size: 1,14 MB