title: To the history of the appearance of frescoes by Andrey Rublev and Daniil Cherniy in the Assumption Cathedral of Vladimir
metadata.name: dc.contributor.author
metadata.value: Lavrentyev, Aleksandr Vladimirovich
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-11-30T20:30:29Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-11-30T20:30:29Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Lavrentyev A. V. To the history of the appearance of frescoes by Andrey Rublev and Daniil Cherniy in the Assumption Cathedral of Vladimir. Studia Slavica et Balcanica Petropolitana, 2020, vol. 2 (28), pp. 141–158.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu19.2020.209
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/33718
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article discusses the reasons and circumstances of the trip made by the famous icon painters
  Andrei Rublev and Daniil Cherny in 1408 to Vladimir-on-Klyazma in 1408, commissioned by the Grand
  Prince Vasily Dmitrievich in order to «renew» frescos of the Assumption Cathedral. The trip resulted in one
  of the most famous fresco ensembles of the Russian Middle Ages. In historiography, it is customary to explain
  the arrival of the icon painters to Vladimir by the constant concern of the Grand Prince authorities about
  the cultural and political «Vladimir heritage». The article suggests that a possible reason for the beginning
  of the works was the preparation of Vladimir and other cities on the former lands of the Grand Principality
  of Vladimir for their transfer to the governance of the Lithuanian Prince Svidrigailo Olgerdovich. In the
  summer of 1408 Svidrigailo left for Russia accompanied by the Bryansk bishop, Lithuanian Orthodox
  princes, boyars and a military squad. Awarding the ancient capital of the Great Principality to the new
  «servant» of the Grand Prince Vasily Dmitrievich Vladimir was unprecedented. Vladimir-on-Klyazma was
  never mentioned among the Russian territories granted to other Lithuanian princes who passed into the
  service of Moscow in the 14th–15th centuries. Svidrigailo Olgerdovich’s «departure» and the simultaneous
  commanding of the icon painters to the city to work on the paintings of the cathedral was hardly an accident.
  At the end of the same year, Svidrigailo Olgerdovich left his new «service», and due to that the works on
  frescos were suspended and never not resumed in the future.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Studia Slavica et Balcanica Petropolitana;Volume 2 (28)
metadata.lang: -
metadata.name: dc.subject
metadata.value: Andrey Rublev
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Daniil Cherniy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Svidrigailo Olgerdovich
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Vladimir na Klaz’me
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cultural studies
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: To the history of the appearance of frescoes by Andrey Rublev and Daniil Cherniy in the Assumption Cathedral of Vladimir
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 141-158.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/33718/1/141-158.pdf
resources.format: Adobe PDF
resources.size: 495,99 kB