title: P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0
metadata.name: dc.contributor.author
metadata.value: KIVLE, INETA
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-06-23T11:49:56Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-06-23T11:49:56Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: KIVLE I. P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0. Horizon. Studies in Phenomenology, 2021, vol. 10, issue 1, pp. 312–319.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2226-5260-2021-10-1-312-319
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/29550
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The review provides an outline of the collective monograph The Philosophy of Rhythm: Aesthetics,
  Music, Poetics, edited by Peter Cheyne, Andy Hamilton and Max Paddison, published by Oxford University
  Press, 2019. Concept of rhythm is analysed from different perspectives—philosophical, musicological
  and psychological. It considers a multidisciplinary approach and also includes both analytic
  and continental philosophical traditions. Rhythm is viewed as a pulse that is going through various
  metric structures including particular pieces of music, paintings, examples of poetry and philosophy.
  Twenty eight authors from the entire world discuss rhythm and specify definitions of rhythm. They try
  to give answers on crucial questions uniting experienced rhythm in philosophy and arts, thus giving an
  important contribution to rhythm studies. The book is organised thematically and based on different
  aspects of rhythm manifestations. The main questions of the research are as follows: How is rhythm
  experienced? Does rhythm necessarily involve movement? Why rhythm is so deeply rooted in human?
  How can static configurations be rhythmic? How does a rhythmic structure change from a stable pattern
  to a flexible texture? All these questions concern two interwoven issues common for the volume in
  general: immanence of rhythm to arts and human experience of it.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Horizon. Studies in Phenomenology;Volume 10; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: rhythm
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: movement
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: time
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: space
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: philosophy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: multidisciplinarity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: aesthetics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: experience
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: P. CHEYNE, A. HAMILTON, M. PADDISON (EDS.) PHILOSOPHY OF RHYTHM: AESTHETICS, MUSIC, POETICS. New York: Oxford University Press, 2019 ISBN 978-0-19-934778-0
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 312-319.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/29550/1/312-319.pdf
resources.format: Adobe PDF
resources.size: 590,14 kB