title: Doctor Stockmann by Stanislavsky in the Light of Criticism and History
metadata.name: dc.contributor.author
metadata.value: Markaryan, Olga E.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2019-12-12T10:09:18Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2019-12-12T10:09:18Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Markaryan, Olga. “Doctor Stockmann by Stanislavsky in the Light of Criticism and History”. Vestnik of Saint Petersburg University. Arts 9, no. 3 (2019): 512–523.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2019.305
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16814
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article overviews different views of critics and theatre historians on the Moscow Art Theatre
  production Doctor Stockmann. It was one of the first interpretations of Henrik Ibsen’s play
  An Enemy of the People in the director’s theatre era. It was directed by Stanislavsky, who was
  himself playing the main role at the same time (1900). In Stanislavsky’s interpretation it was a
  very special figure, considered more tragical than Ibsens’s one. Less satirical, more touching, this
  Stockmann became a new type of tragic hero. Not the big figure of previous times, but a person
  like each of us, only a bit more absurd and naïve. He tended to Dostoevsky’s type of tragic hero
  as an object of ridicule but still tragic. That means a new comprehension of tragic that is not only
  heroic any more. The type of non-sublime tragic hero became relevant again in the second part
  of the 20th century, after the catastrophes that placed every individual in the face of existential
  questions. There appeared a new type of hero, manifested in the songs of Vladimir Vysotsky and
  Bulat Okudzhava. While their images are very different from the hero of Ibsen-Stanislavsky,
  they correlated with him in this new comprehension of a hero as one of us. Soviet historians of
  the theatre illuminated Stanislavsky’s role in the spirit of the heroes of their days. The unexpected
  bonds appear between these phenomena. The comparison of the views of theatre critics of
  the beginning of the 20th century and the Soviet historians in terms of modern theatre studies
  helps to understand the essence of Stanislavsky’s interpretation of Doctor Stockmann.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of Saint Petersburg University. Arts;Volume 9; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: Dostoevsky
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Ibsen
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Doctor Stockmann
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: An Enemy of the People
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Stanislavsky
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Moscow Art Theatre
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Iurii Beliaev
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pavel Iartsev
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Konstantin Rudnitskii
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Doctor Stockmann by Stanislavsky in the Light of Criticism and History
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 512-523.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16814/1/512-523.pdf
resources.format: Adobe PDF
resources.size: 641,37 kB