title: New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’
metadata.name: dc.contributor.author
metadata.value: Tochilova, Nadezhda N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-09T20:03:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-09T20:03:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Tochilova, Nadezhda. “New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’”. Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 361–375. https://doi.org/10.21638/spbu15.2023.209 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.209
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43669
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The aim of this research is to study the development of Scandinavian art outside of Scandinavia.
  The main attention is focused on the process of influence of the Borre style elements on the applied art development in North-West Russia of the 10th–12th centuries. The main
  sources of artistical influence should be not Scandinavia, but the territory of distribution of
  Scandinavian art, in particular, Pomerania and the British Isles. The stylistic analysis revelates
  the use of identical elements of decor, where the main place have the highly simplified Borre
  style motifs (chains and scale motifs), supplemented by a double contour and hatching. It
  is possible to trace the process of Borre’s assimilation using carved wooden artefacts from
  Novgorod the Great. Development of this art in the 10th century was influenced by the art of
  Viking Age. The preservation of these stylistic features can be traced in Novgorod art up to
  and including the 12th century. One of the actual problems of this phenomenon is the analysis
  of the decorative schemes and the appearance of the main visual elements.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Scandinavian art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: art of Ancient Rus’
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: applied art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Novgorod the Great
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Slavs and Scandinavian
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Viking Age in the Medival Rus’
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pomeranian art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: art and archaeology
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: New Perspectives on Studying Art of the Baltic Region in the 10th–12th Centuries: The Issue of Artistic Interaction between Scandinavia and Ancient Rus’
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 09.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43669/1/09.pdf
resources.format: Adobe PDF
resources.size: 3,02 MB