title: Hand-made as the autonomizing field of symbolic production
metadata.name: dc.contributor.author
metadata.value: Kalashnikova, Alina A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-05-16T19:19:27Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-05-16T19:19:27Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2016-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Kalashnikova A. A. Hand-made as the autonomizing field of symbolic production. Vestnik SPbSU. Series 12. Sociology, 2016, issue 3, pp. 60–70.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu12.2016.305
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/6310
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article analytically regards the sociological phenomenon of the ‘handmade’. The author investigates
  its historic origins, relations to global and local cultures, and the process of the manual labour
  valuation in the virtualizationing society. There are investigated handmade contemporary development
  probable factors, such as the feministic ideology, the global economic crisis and the handiwork
  tradition of lower and higher (idle) classes. Handmade is claimed to be connected with the “Arts &
  Crafts” movement and with the encounter of local cultural traditions in the global space created by
  the new media. Aesthetical, social and psychological contents of handmade activities are analyzed.
  We regard to both the subjective motivation of participation in handmade activities and the change
  in the way products are used, deriving from the growth of artisans’ skills (the opportunities for use,
  presentation or sale). Practices of the experience of exchange between handmade artisans and critical
  absence are also put under bourdieusian consideration as a means to create the mutual recognition
  necessary for the distribution of the nomination authority in the emerging field. Handmade products
  are considered as reified social actions and relations, delegates in latourian sense. It is demonstrated,
  that handmade approves the unconditional value of the manual labour, aiming to occupy the position
  of the fine arts with its unable-to-negate symbolic value of artistic production. Therefore, contemporary
  handmade is explored as successfully making bids for creating its autonomous field between that
  of fine arts and design. Refs 18.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Series 12. Sociology;Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: handmade
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: manual labour
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: artwork
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: field of symbolic production
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Hand-made as the autonomizing field of symbolic production
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 05-Kalashnikova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/6310/1/05-Kalashnikova.pdf
resources.format: Adobe PDF
resources.size: 133,16 kB