title: Radifs and their structural function in Hamid Momand’s ghazels
metadata.name: dc.contributor.author
metadata.value: Pischurnikova, Ekaterina P.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-07-18T16:16:34Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-07-18T16:16:34Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2017-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Pischurnikova E. P. Radifs and their structural function in Hamid Momand’s ghazels. Vestnik SPbSU. Asian and African Studies, 2017, vol. 9, issue 2, pp. 211–219.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu13.2017.208
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/6938
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: As a structural component of the ghazal genre, radif was adopted by Afghan literature from Persian
  poetry. Works by Hamid Momand, an outstanding Afghan classical poet, demonstrate that by early
  18th century radif was among the typical poetic models in Pashto literature. The article represents
  the classification of radifs in Hamid’s poetry collection that are grouped by parts of speech with a
  particular focus on dominant verb-type radifs. The relation between rhyme and radif is also within the
  scope of investigation which allows us to identify three different types of ghazal structure in Hamid
  Momand’s poetry depending on the role of a particular radif in the composition: 1) monothematic
  ghazals, where the radif includes the word denoting their topic; 2) polythematic ghazals that feature
  homonyms or polysemantic words in the radif with every beit playing on one of the meanings of these words; 3) ghazals, where the radif includes some marginal word while the radif itself functions as a link
  between beits of discordant theme or contents. A comparative analysis of ghazals with identical radifs
  composed by different poets allows us to establish some literary links between Hamid Momand’s style
  and that of his predecessors and followers in Pashto literature. Refs 7.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Asian and African Studies;Volume 9; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Hamid Momand
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Rahman Baba
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Mirza Hanan Barakzay
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ‘Ali Han
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Bidil Hashgari
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: classic Afghan literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pashto poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: radif
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Radifs and their structural function in Hamid Momand’s ghazels
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 08-Pischurnikova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/6938/1/08-Pischurnikova.pdf
resources.format: Adobe PDF
resources.size: 694,69 kB