title: Ways of interaction of illustrations and text in the popular science description of German crafts.
metadata.name: dc.contributor.author
metadata.value: Dmitrieva, Maria N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-13T13:53:00Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-13T13:53:00Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Dmitrieva M. N. Ways of interaction of illustrations and text in the popular science description of German crafts. German Philology in St Petersburg State University, 2022, iss. 12, pp. 390–402. https://doi.org/10.21638/spbu33.2022.120
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu33.2022.120
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39101
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The paper focuses on the mechanisms of interaction between graphic images and
  text descriptions, including historical and cultural information about ancient German
  crafts. The purpose of the article is to show the different types of interrelation of
  graphic images and verbal text. The concept of multimodality and discourse analysis
  serves as the theoretical and methodological basis of the research; selected works of
  recent years devoted to a given problem are presented in an overview. The methods
  of discourse analysis allow us to implement an extended approach to the discussion
  of different types of graphic sign systems and mechanisms of their interaction. The
  research material is a book about German crafts related to national architecture and
  construction technologies. Three ways of image and text interaction were identified.
  The first, the simplest, covers cases when the caption directly displays what is shown
  in the figure. In such cases, the image serves to clarify and concretize the text accompaniment.
  The second extensive group consists of examples when the text contains
  related information about the history of craft, the degree and causes of its prevalence
  in a certain area, etc. The third group consists of a few examples when the illustration is
  given an exclusively decorative function, and the text located next to it does not reveal
  a direct connection with the image. The three selected groups are nothing more than
  a research technique. In general, the image and text appear in the book as a holistic,
  communicatively indivisible unity.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: German Philology in St Petersburg State University;Issue 12
metadata.lang: -
metadata.name: dc.subject
metadata.value: multimodal discourse analysis
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: visual linguistics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: image and text
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: German country studies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: German crafts
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cultural studies
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Ways of interaction of illustrations and text in the popular science description of German crafts.
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 390-402.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39101/1/390-402.pdf
resources.format: Adobe PDF
resources.size: 2,07 MB