title: The concept and fiction peculiarity of the novel “My Brother’s Story” by Ömer Zülfü Livaneli
metadata.name: dc.contributor.author
metadata.value: Khabutdinova, Mileuscha M.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2019-01-28T12:27:07Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2019-01-28T12:27:07Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Khabutdinova M. M. The concept and fiction peculiarity of the novel “My Brother’s Story” by Ömer Zülfü Livaneli. Vestnik of Saint Petersburg University. Asian and African Studies, 2018, vol. 10, issue 4, pp. 479–488.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/spbu13.2018.405
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/15323
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In this article we analyze the main peculiarities of mechanisms of plot development in the
  novel “My Brother’s Story” («Kardeşimin hikâyes"i») by Ömer Zülfü Livaneli (translation by
  A. Avrutina). The novel consists from two parts: “I” and “Mehmed”. The author exploits the
  structure of the novel-frame, where the role of "frame" is acted by a detective story. The main
  content of the work is the study of the spiritual world of modern man, the fate of the hermit
  hero Ahmed / Mehmed Arslan. After going through a series of life and moral trials, the hero
  realizes his insignificance and commits suicide. In the system of characters the images of the
  engineer and the journalist play a huge role, as researchers of the nature of the human soul.
  The chronotope of the work includes the whole world, Turkey and Russia. The antithesis of
  "the city/the capital vs province" becomes a key one. The image of Russia puts together of
  a whole chain of literary reminiscences and associations that emphasize the richness of its
  cultural potential. The postmodern style of the work reveals itself both at the level of content
  and structure of the work. Leading in the work are such features of poetry, like intertextuality,
  the mixing of time and space, abandoning the traditional "me" orientation to a multiplicity
  of interpretations of the text, the fundamental systematic character, the incompleteness, the
  openness of the design, the fragmentary nature of the game.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Asian and African Studies;Volume 10; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Turkish literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: prose
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Ömer Zülfü Livaneli
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the frame-novel
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: postmodernism
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The concept and fiction peculiarity of the novel “My Brother’s Story” by Ömer Zülfü Livaneli
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 05-Khabutdinova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/15323/1/05-Khabutdinova.pdf
resources.format: Adobe PDF
resources.size: 626,48 kB