title: The style of the Serbian media (2010–2020) — the language of the crisis
metadata.name: dc.contributor.author
metadata.value: Stanojević, Dobrivoje Ž.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Mirkov, Lidija Ž.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-03-04T10:39:16Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-03-04T10:39:16Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Stanojević D., Mirkov L. (2021). The style of the Serbian media (2010–2020) — the language of the crisis. Media Linguistics, 8 (4), 461–471.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu22.2021.410
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/35443
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The societal crisis’ influence on the crisis of the language in contemporary Serbian journalism
  is prevailing. Words have been increasingly framed into inappropriate content. Homonyms
  are gradually becoming the only way to debate and give second opinions. Globalizing vocabulary
  with fashionable phraseology, manipulative rhetoric and the artificial realignment of
  language serve as the basis of rhetorical and stylistic research presented in this work. Casual
  populist political speeches and sensationalistic topics in Serbia are in the centre of events,
  even though they are easily forgotten. An apparent lack of creativity in language results in
  the glorification of a globalizing rhetorical model. This leads to a sort of recycling of language
  patterns and a pathetic usage of metaphors in everyday life, hence the apparent emergence of
  a new kind of sensationalism. Different linguistic matrices obsessively repeat themselves in
  the same rhetorical frame. Therefore, the language of journalists is increasingly reduced to the
  form and the form is reduced to the void. In this article, the analysis of the contemporary use
  of stylistic knowledge by media professionals will be conducted within a sample of one year of
  broadcasts during 2019–2020, prior to the pandemic. The authors explain the methodology
  of the research by describing the theoretical approach and the methods used to substantiate
  the hypothesis. The research aims to show the gradual change of media language during
  the current professional, economic and moral crises. A vast majority of media have a common
  inherited loss of truly free expression. Instead of free relations, a plethora of excessive
  self-censorship and hidden advocacies and connections is being extended. This appears to be
  a certain eternity or bad infinity of the shadows in the media.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Media Linguistics;Volume 8; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: media
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: stylistics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: media language
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Serbia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: sensationalism
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The style of the Serbian media (2010–2020) — the language of the crisis
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 461-471.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/35443/1/461-471.pdf
resources.format: Adobe PDF
resources.size: 614,65 kB