title: PERSONAL PRONOUNS IN ENGLISH FICTION: GRAMMAR, STYLISTICS, PRAGMATICS
metadata.name: dc.contributor.author
metadata.value: Udinskaya, Alla G.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-10-24T16:33:25Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-10-24T16:33:25Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2782-1943.2023.32
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47836
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The unceasing interest in the study of various stylistic phenomena is due to the
  constant discovery of new aspects in various linguistic facts, and at the present
  stage of linguistic research more and more attention is paid to the interaction
  of expressive means of language at various levels, which increases the pragmatic
  effect of the utterance, and its most significant elements are brought to
  the fore. The pronoun can be considered one of the most ambiguous lexical
  and grammatical categories. Unlike nouns, the class of pronouns is closed due
  to the fact that it comprises a limited number of units, but the constant transition
  of one personal pronoun into the scope of another can affect its stylistic
  functions and serve as an additional means of implementing the pragmatic
  attitude of the utterance. This paper attempts not only to systematise the scattered
  information on the stylistic potential of certain pronouns and to observe
  the cases of stylistic convergence involving personal pronouns, but also to apply
  it to concrete empirical material, since personal pronouns are organically
  linked to artistic thinking and linguistic means acquire a stylistic function
  in combination with each other within a specific functional manifestation.
  The research was carried out on the material of two novels by contemporary
  English writers, Stephen Fry and Mark Haddon, who are highly recognised
  masters of the written word and who depict a wide range of socially significant
  phenomena and events in their works, using personal pronouns in all their
  grammatical and pragmatic diversity.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Synergy of Languages & Cultures 2023: Interdiscipilinary Studies;
metadata.lang: -
metadata.name: dc.subject
metadata.value: personal pronoun
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: stylistic grammar
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: transposition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: stylistic convergence
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: PERSONAL PRONOUNS IN ENGLISH FICTION: GRAMMAR, STYLISTICS, PRAGMATICS
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 375-384.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47836/1/375-384.pdf
resources.format: Adobe PDF
resources.size: 616,52 kB