title: Dziga Vertov — Boris Kaufman — Jean Vigo
metadata.name: dc.contributor.author
metadata.value: Artemeva, Ekaterina A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-12-17T12:33:11Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-12-17T12:33:11Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Artemeva, Ekaterina. “Dziga Vertov — Boris Kaufman — Jean Vigo”. Vestnik of Saint Petersburg University. Arts 10, no. 4 (2020): 560–570.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2020.402
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/21717
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is an attempt to discuss Dziga Vertov’s influence on French filmmakers, in particular on Jean Vigo. This influence may have resulted from Vertov’s younger brother, Boris
  Kaufman, who worked in France in the 1920s  — 1930s and was the cinematographer for
  all of Vigo’s films. This brother-brother relationship contributed to an important circulation
  of avant-garde ideas, cutting-edge cinematic techniques, and material objects across Europe.
  The brothers were in touch primarily by correspondence. According to Boris Kaufman, during his early career in France, he received instructions from his more experienced brothers,
  Dziga Vertov and Mikhail Kaufman, who remained in the Soviet Union. In addition, Vertov
  intended to make his younger brother become a French kinok. Also, À propos de Nice, Vigo’s
  and Kaufman’s first and most “vertovian” film, was shot with the movable hand camera Kinamo sent by Vertov to his brother. As a result, this French “symphony of a Metropolis” as well
  as other films by Vigo may contain references to Dziga Vertov’s and Mikhail Kaufman’s The
  Man with a Movie Camera based on framing and editing. In this perspective, the research
  deals with transnational film circulations appealing to the example of the impact of Russian
  avant-garde cinema on Jean Vigo’s films.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 10; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Soviet cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: French cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: documentary cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cultural transfer studies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film studies
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Dziga Vertov — Boris Kaufman — Jean Vigo
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 560-570.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/21717/1/560-570.pdf
resources.format: Adobe PDF
resources.size: 1,43 MB