title: Fashion and the Question of the Symbolic: The Ideology of Value and Its Limits
metadata.name: dc.contributor.author
metadata.value: Vasilyeva, Ekaterina V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-09T20:08:38Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-09T20:08:38Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Vasilyeva, Ekaterina. “Fashion and the Question of the Symbolic: The Ideology of Value and Its Limits”. Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 376–392. https://doi.org/10.21638/spbu15.2023.210
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.210
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43670
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Questions of the symbolic occupy one of the central places in the structure and concept of
  fashion. The system of the symbolic — obscure, not always lending itself to identification
  and definition — forms the basis of fashion as a mechanism focused upon inversion and acceptance
  of a conventional system of values. The ideology of the symbolic, founded on the
  establishment of symbolic values is of direct relevance to an understanding of the system of
  fashion. The symbolic holds a central position in the establishment of a system of values. It
  constructs the rich content of the semantic vector of fashion. The artistic, visual and content
  platform of fashion is built on the basis of the symbolic. This conception was outlined by
  Jacques Lacan, and then developed further by such figures as Gilles Deleuze, Felix Guattari,
  Michel Foucault, Jean Baudrillard and Pierre Bourdieu. Existing in a variety of statuses and
  supporting a whole range of basic programmes — shaping concepts of the authentic, defining
  mechanisms of exchange and significance, denoting the boundaries of the social field — the
  symbolic maintains and determines the visual and semantic rules of fashion. This paper examines
  the main theories of the symbolic associated with the formation of the ideological and
  artistic programme of fashion.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: fashion theory
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: symbol
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: symbolic
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Jacques Lacan
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Michel Foucault
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pierre Bourdieu
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Fashion and the Question of the Symbolic: The Ideology of Value and Its Limits
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 10.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43670/1/10.pdf
resources.format: Adobe PDF
resources.size: 659,08 kB