title: The future of coal mining history. Migration, cultural memory and the transnational Dutch studies
metadata.name: dc.contributor.author
metadata.value: Prandoni, Marco
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-01-15T09:36:10Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-01-15T09:36:10Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Prandoni M. The future of coal mining history. Migration, cultural memory and the transnational Dutch studies. Scandinavian Philology, 2019, vol. 17, issue 2, pp. 365–380.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu21.2019.212
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16914
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In this contribution I present the transdisciplinary project Minatori di memorie
  (Minors of Memory), based at the University of Bologna, organized by the Dutch Department,
  in collaboration with anthropologist Sonia Salsi, a child of emigrants to Lindeman
  in Belgian Limburg herself. This platform has been devoted since 2016 to the study of the (post-)memory of coal mining and of (Italian) migration in the transnational
  coal district in Belgium and The Netherlands. Multilingualism, translation studies,
  world literature and cultural memory studies are the main angles by which the
  material and immaterial traces of this important chapter of European history can be
  analyzed and actualized in a relevant way. Different artists and artistic forms are shortly
  discussed: a short story by Kenan Serbest, Don Luca’ rap music, Roberta Sorgato’
  literary non-fiction, a citybook by Mauro Pawlowski, a movie by Stijn Coninx and a
  documentary movie by Remo Perrotti. What these artists, with different backgrounds,
  have in common is that they have not experienced the world of coal mining and/or
  migration directly, but mainly as post-memory, through the mediation of books, photographs,
  movies and the social media. Their work offers scholars and students from
  the field of the Dutch Studies the opportunity to move beyond the traditional domain
  of the discipline and to participate in stimulating interdisciplinary networks. As a matter
  of fact, multi- and interdisciplinary crossovers appear vital in order to make small
  study programmes like Dutch Studies attractive and sustainable, and to open new research
  paths.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: other
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Scandinavian Philology;Volume 17; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: migration
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: coal mines
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: cultural memory studies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: transnational Dutch studies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: multilingualism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: post-memory
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The future of coal mining history. Migration, cultural memory and the transnational Dutch studies
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 365-380.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16914/1/365-380.pdf
resources.format: Adobe PDF
resources.size: 699,4 kB