title: The Museum of the obsolescent cult and its practices of exhibition
metadata.name: dc.contributor.author
metadata.value: Ananiev, Vitaly G.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-06-21T13:01:33Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-06-21T13:01:33Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ananiev V. G. The Museum of the obsolescent cult and its practices of exhibition. Vestnik of Saint Petersburg University. Philosophy and Conflict Studies, 2018, vol. 34, issue 2, pp. 299–310.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu17.2018.213
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/10328
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to one of the most exciting museum projects of the 1920th — Museum
  of the obsolescent cult, which existed in Petrograd in 1923–1927. The abolition of family and
  institutional chapels in the 1920th stimulated efforts to preserve its ornaments as a monument
  of history and culture of the two previous centuries. The work on the preservation of iconostases
  and artistic decoration of the closed churches began on the initiative of V. A. Tauber
  under the auspices of the Society of Old Petersburg. The ornaments were preserved, studied,
  restored and exhibited in a special building. The museum staff worked out a complex concept
  of a monument as a historically formed ensemble, which value depended on the preservation
  of historically established connections between its various elements. To create museum exposition
  the theatrical ideas of space organization were used. The article, based on documents
  of the archival fund of the Society of Old Petersburg, stored in the Central State Archive of
  Literature and Art of St. Petersburg, traces the history of the museum exhibition. Such prominent
  museum figures of the 1920th as M. V. Farmakovsky and N. E. Lansere took an active part
  in the development of its program. The museum was never open to the public. In 1927 due
  to financial difficulties and tensions within the Society of Old Petersburg, its collection was
  transferred to the State Museum Fund, which divided its items between several museums and
  research institutions of Leningrad. The change of names, under which the museum appeared
  in official documents, allows us to trace the various strategies used to "legitimize" church monuments
  — a dissonant heritage — in the discourse of Soviet Russia.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: Работа выполнена при поддержке РНФ, проект № 18-18-00367.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Philosophy and Conflict Studies;Volume 34; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: a history of Russian science religion
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: history of religion
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: atheism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Museum of the obsolescent cult
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Society of Old Petersburg
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The Museum of the obsolescent cult and its practices of exhibition
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 13-Ananiev.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/10328/1/13-Ananiev.pdf
resources.format: Adobe PDF
resources.size: 634,22 kB