title: The name of a comedy film in the aspect of linguistic creativity
metadata.name: dc.contributor.author
metadata.value: Kulidzhanyan, Syuzanna S.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-03-01T11:28:21Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-03-01T11:28:21Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Kulidzhanyan S. S. The name of a comedy film in the aspect of linguistic creativity. Vestnik of Saint Petersburg University. Language and Literature. 2021, 18 (4): 736–749.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2021.406
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/35313
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article aims to identify the specific features for forming the name of a comedy film from the
  point of view of linguistic creativity. The research is based on 30 British comedy films, which
  were released between the 1960s and 2010s. Five highly rated films were selected from each
  decade. The developed algorithm for analysis includes several steps which makes it possible
  to sequentially study the following aspects, in terms of linguistic creativity, that are critical for
  specific features in the formation of comedy films’ names: 1) source of the name, 2) structure
  of the name and 3) correlation between the name and the whole verbal structure of a comedy
  film. It was found that the degree of structurally semantic modifications of a film name’s initial
  source presupposes a film name’s creative potential. The influence of comedy film names’ creative
  potential on the choice of certain expressive means for constructing and developing the
  plot line of a comedy film was also determined. Data obtained in the study indicates that a film name can produce a certain multitude of verbal components, which are pivotal to the whole
  language structure of a comedy film. Moreover, the quantity of verbal components, ‘produced’
  by a comedy film name, allows one to judge its linguo-creative possibilities.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The study was funded by the Russian Science Foundation, project number 19-18-00040.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 18; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: cinematic discourse
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: phraseology
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: linguistic creativity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: comedy film
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: reproducibility
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The name of a comedy film in the aspect of linguistic creativity
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 736-749.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/35313/1/736-749.pdf
resources.format: Adobe PDF
resources.size: 712,13 kB