title: Hoffmann traditions in Selma Lagerlöf ’s novel “Gösta Berling’s Saga”
metadata.name: dc.contributor.author
metadata.value: Koroleva, Vera
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Pritomskaya, Alina
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-09-23T14:47:13Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-09-23T14:47:13Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Koroleva V., Pritomskaya A. Hoffmann traditions in Selma Lagerlöf ’s novel “Gösta Berling’s Saga”. Scandinavian Philology, 2024, vol. 22, issue 1, pp. 106–122. https://doi.org/10.21638/11701/spbu21.2024.107
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu21.2024.107
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47574
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article focuses on the study of Hoffmann traditions in Selma Lagerlöf ’s novel
  “Gösta Berling’s Saga”. The features of Hoffman’s poetics in the novel are revealed by using
  the methodology of the “Hoffman’s complex”, which is an ideological and thematic
  complex of motives and stylistic techniques inherent in the works by E. T. A. Hoffman.
  The “Hoffmann’s complex” is manifested in the novel in the problem of the rebellion of
  the Romantic hero-creator in relation to faith and religion, the problem of the relationship
  of the Romantic hero with femininity, the opposition of secular and Christian love,
  the motive of mechanization of man and society in the new capitalist industrial formation.
  The features of Hoffmann’s poetics were manifested in the novel “Gösta Berling’s
  Saga” also in the interweaving of Hoffmann’s images (Don Juan (“Don Juan”), Medardus
  (“The Devil’s Elixirs”) and plots (a defrocked monk, who under the influence of
  wine as an incarnate temptation, commits crimes and experiences a split of personality
  (“The Devil’s Elixirs”) and a rebellious Romantic hero in search of an unattainable ideal
  world in which his disintegrated personality must find consolidation (“Don Juan”).
  The conclusion sums up that S. Lagerlöf, relying on the plot, problems and images of
  E. T. A. Hoffman’s works (“Don Juan”, “The Devil’s Elixirs”, “Adventure on New Year’s
  Eve”), creates the author’s concept of spiritual transformation of personality through
  Christian love and reconsiders the image of a Romantic hero, transforming it into a
  new type of Christian Neo-Romantic hero.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Scandinavian Philology;Volume 22; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: E. T. A. Hoffman
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: S. Lagerlöf
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Hoffman’s complex
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Neo-Romantic Christian hero
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: mechanization of man and society
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: opposition animate — inanimate
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Hoffmann traditions in Selma Lagerlöf ’s novel “Gösta Berling’s Saga”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 106-122.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47574/1/106-122.pdf
resources.format: Adobe PDF
resources.size: 698,91 kB