title: Lexico-Semantic Features of the Representation of Colour, Sound and Odour in the Kamchatka Sketches by V. M. Peskov
metadata.name: dc.contributor.author
metadata.value: Malyshev, Alexander A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-10-11T16:30:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-10-11T16:30:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2017-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Malyshev A. A. Lexico-Semantic Features of the Representation of Colour, Sound and Odour in the Kamchatka Sketches by V. M. Peskov. Vestnik SPbSU. Language and Literature, 2017, vol. 14, issue 3, pp. 466–476.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu09.2017.313
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/8500
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article considers how imagery and description are stylistically revealed in a series of traveling
  sketches “Love — Kamchatka” by V. M. Peskov: how colours, sounds and odours of real world are lexicalised
  by the journalist. The article reveals that sketches are saturated with words denoting colours
  or sounds. The colour lexicon mainly represents nuances and mixtures of colour, rather than spectral
  colours, and it is also often metaphoric. The sound lexicon is also variable: statistically, the sounds of nature (organic and inorganic) and civilisation sounds (people and engineering) account for more
  than 50 words. In both lexicons, we can see the words of “zero” designation: colourlessness and soundlessness.
  Although the Kamchatka sketches keep a relative balance between colour and sound designations,
  in some texts, however, one group of words can dominate over the other. The odour lexicon is
  quantitatively insignificant, mostly due to the fact that odour, once mentioned in the text, remains in
  memory of reader (smell of smoke around the erupting volcano) or is meant a priori, by means of stylistic
  reticence (bonfire’s smell of smoke). At the same time the semantic potential of the odour lexicon
  is enormous and it allows to reveal six contextual functional subsets of people, animals and volcanoes.
  The features of journalistic story, primarily seen as dynamic, rhythmic and underlying pragmatics of a
  travelling sketch, sometimes tend to slow down the process of reading, make a reader immerse himself
  into narration and stimulate his/her imagination. Refs 17.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: сследование осуществлено при финансовой поддержке РГНФ, проект № 14-34-01028
  «Культурно-просветительский журналистский дискурс: ценности, коммуникативные интенции и
  речевые жанры».
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 14; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: lexical semantics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: traveling sketch
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: journalism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: media linguistics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: media stylistics
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Lexico-Semantic Features of the Representation of Colour, Sound and Odour in the Kamchatka Sketches by V. M. Peskov
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 13-Malyshev.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/8500/1/13-Malyshev.pdf
resources.format: Adobe PDF
resources.size: 667,24 kB