title: Regarding the problem of multimodality in the screening of literary works
metadata.name: dc.contributor.author
metadata.value: Grigorieva, Liubov N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-13T09:58:40Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-13T09:58:40Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Grigorieva L. N. Regarding the problem of multimodality in the screening of literary works. German Philology in St Petersburg State University, 2022, iss. 12, pp. 49–65. https://doi.org/10.21638/spbu33.2022.103 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu33.2022.103
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39083
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article explores the problem of multimodality through the example of films,
  which are a synthesis of different modes (or codes), such as the verbal part in its combination
  with other components of the film text. The objects of study are motion pictures
  that are screen adaptations of literary works, i. e. which are based on the actual
  verbal texts. Therefore, the main attention in the study is comparing the text of a literary
  work and the film text of its screen version, especially what was included in the
  latter and what was eliminated, changed, or modified. This takes into account whether
  the eliminated components have been compensated for by other code systems and
  how the modifications that occur with the verbal text in the process of its screening
  can be argued, as well as what kind of qualitative and content reorientation occurs
  with the text basis when it is screened. As an example we use the screen version of the
  novel The Wall by the Austrian writer Marlene Haushofer, which represents the notes
  of a woman who survived an inexplicable catastrophe, after which she remains behind
  a glass wall in absolute isolation. The direct object of the study is the author’s monological
  speech of the main (and the only) heroine. Her language consists of a mixture
  of the three main classical compositional speech types (CST) of the text — description
  (descriptive), narration (narrative) and reasoning (argumentative). The purpose of the
  article is the comparative analysis of these CSTs in both works in the aspect of multimodality.
  The objectives of the study are: 1) identification of fragments of the film
  and novel texts, representing different CSTs; 2) comparison between the film text and
  the text of the novel; 3) highlighting the main linguistic means characteristic of these
  CSTs; 4) analysis of ways to compensate for eliminated fragments with the help of
  other modes or code systems used in cinematography. The article uses such research
  methods as comparison, contextual and semantic analysis. The first study comparing
  the text of the novel by M. Haushofer with its cinematic version made it possible to
  reveal that in the process of film adaptation with the literary text-base (even when it’s
  treated with care), significant transformations take place, leading to the modification
  of its content.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: German Philology in St Petersburg State University;Issue 12
metadata.lang: -
metadata.name: dc.subject
metadata.value: multimodality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: polycode
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film adaptation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film text
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film The Wall
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: novel The Wall by M. Haushofer
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Regarding the problem of multimodality in the screening of literary works
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 49-65.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39083/1/49-65.pdf
resources.format: Adobe PDF
resources.size: 667,91 kB