title: Paradoxes of Historical Consciousness in Ulaanbaatar Monumental Sculpture. Ideological Function of Monuments in the Context of ‘Mongolian National Revival’ in the 21st Сentury
metadata.name: dc.contributor.author
metadata.value: Yaylenko, Evgeny V.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Uranchimeg, Dorjsuren
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-09-17T21:13:05Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-09-17T21:13:05Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Yaylenko, Evgeny, and Dorjsuren Uranchimeg. “Paradoxes of Historical Consciousness in Ulaanbaatar Monumental Sculpture. Ideological Function of Monuments in the Context of ‘Mongolian National Revival’ in the 21st Сentury”. Vestnik of Saint Petersburg University. Arts 14, no. 2 (2024): 363–381. https://doi.org/10.21638/spbu15.2024.207 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2024.207
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47540
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article deals with Ulaanbaatar monumental sculptures which have been produced during
  the course of the last 20 years. It studies various processes typical of the socio-political and
  cultural life of present-day Mongolia that impressed greatly content as well as style of many
  monuments erected in honor of the outstanding leaders of this country. The core idea of these
  artworks consists in developing the concept of the national identity which became characteristic
  of the spiritual life of Mongolia after the Democratic Revolution of 1990. In its turn, this
  concept is based on specific interpretation of Mongolia’s historical past which is focused on
  the figure of Chingis khan as an embodiment of the national idea. The establishment of his
  cult in the democratic country with market economy forms an essential element in the process
  designated in this article as “Mongolian national revival”. Within the general framework of
  the state cultural policy, this tendency found its expression in erecting a wide range of various
  monuments dedicated to the Great Khan as well as other rulers of mediaeval Mongolia. On
  the other hand, it’s also evident that this policy implies an idea of historical continuity that
  provides a link between different epochs of Mongolian history. This leads to the conclusion that Communist leaders of the People’s Republic of Mongolia are nowadays considered as the
  true hears of the mediaeval rulers of the country because they also contributed to the Mongolian
  civilization building. This article demonstrates what kind of artistic means have been
  implemented in solving this task. One of the major concerns consisted in involving the viewer
  in comprehending meaning of the monuments. This stimulated the emergence of the new and
  highly innovative artistic typology of the monumental-didactic sculptural ensemble exemplified
  in the monument to the singer S. Tsogtsaihan.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 14; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Mongolia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chingis khan
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: People’s Republic of Mongolia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: national identity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Mongolian national revival
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: sculpture
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: monument
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: I. E. Repin’s Institute
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Paradoxes of Historical Consciousness in Ulaanbaatar Monumental Sculpture. Ideological Function of Monuments in the Context of ‘Mongolian National Revival’ in the 21st Сentury
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 07_ЯйленкоУранчимэг_2024-2.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47540/1/07_%d0%af%d0%b9%d0%bb%d0%b5%d0%bd%d0%ba%d0%be%d0%a3%d1%80%d0%b0%d0%bd%d1%87%d0%b8%d0%bc%d1%8d%d0%b3_2024-2.pdf
resources.format: Adobe PDF
resources.size: 772,69 kB