title: The German Baroque Solo Organ Sonata in the Work of Theophilus Andreas Volсkmar
metadata.name: dc.contributor.author
metadata.value: Bochkova, Tatiana R.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-22T14:53:06Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-22T14:53:06Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Bochkova, Tatiana. “The German Baroque Solo Organ Sonata in the Work of Theophilus Andreas Volсkmar”. Vestnik of Saint Petersburg University. Arts 10, no. 3 (2020): 380–397.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2020.301
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19543
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article draws a new, and not well-known figure, into the sphere of scientific interest for
  the Russian-speaking and European researcher and organist. This figure is a German author
  who developed his musical talent as a composer and a performer in the multinational and
  culturally developed Prussian-Polish city of Gdànsk-Danzig. The German Solo organ Baroque
  sonata and its individual interpretation in the works of Т.А.Volckmar (1686–1768) becomes
  the center of scientific “attraction”. The article is not about the clavier, but rather about proper
  organ sonata, which is reflected in the title of the compositions.‘Six Sonatas for the Organ’ by
  T.A.Volckmar, edited by K.Beckmann and published by SCHOTT company in 2009, provides a vivid and complete picture of the specifics of this genre, which is considered from the
  standpoint of the special conditions of musical, including organ culture, in the free Hanseatic
  Gdansk. There, the rooted organ traditions go back to the Dutchman J. Sweelinck and are interpreted in the works of brilliant masters, who were in the history of musical art traditionally united in the North German baroque organ school — D.Buxtehude, V.Lübeck, N.Bruhns and
  other authors representing this era and region.The many-sided cultural life of Gdànsk, which
  integrated a variety of musical, and not only organ, sources was reflected in the organ sonatas
  of T.A.Volckmar. Italian concerto grosso, North German toccata, and fantasy “in an echo
  manner” is a talented synthesis, multiplied by expression, improvisational freedom of stylus
  phantasticus, and the composing excitement of T.A.Volckmar. This allows the works of the
  Danzig master to be defined as original, artistically bright, and concert-virtuoso samples of
  the German Solo Organ Sonata of the Baroque era.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 10; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: Theophilus Andreas Volckmar
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: German solo organ sonata
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: baroque
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: North German organ school
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: stylus phantasticus
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The German Baroque Solo Organ Sonata in the Work of Theophilus Andreas Volсkmar
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 380-397.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19543/1/380-397.pdf
resources.format: Adobe PDF
resources.size: 1,64 MB