title: Color in the System of Artistic Means of Cinema
metadata.name: dc.contributor.author
metadata.value: Poznin, Vitaly F.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-10-12T11:45:04Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-10-12T11:45:04Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Poznin, Vitaly. “Color in the System of Artistic Means of Cinema”. Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 410–436.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2021.304
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/33280
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Although the main visual information in film is carried out by the shape of objects, their
  position in space and their correlation with other objects, color in the motion picture also
  plays a significant role because the color scale has a strong aesthetic and emotional impact
  on the viewer. Color is often an organic part of the dramaturgy of film. The exact coloristic
  solution of a frame, episode or film is able to create the desired atmosphere of action. Different screen chronotopes are often indicated with the help of color — it could be an
  artistic space of reality, memories, fantasies or a movie character’s dreams. Color helps to
  convey the subjective perception of reality by the film’s heroes. In a certain context, the
  color scheme of a film, shot or an individual object, can acquire a metaphorical or symbolic
  sound. Cinematography initially adopted many of the techniques related to compositional
  and light-color solutions from painting, which is especially noticeable in the works of directors
  who pay great attention to the plastic solution of the frame. Today with the introduction
  into filmmaking of digital technologies, work on the visual solution and color harmonization
  of the screen image is becoming in many ways similar to the art of an artist. The article
  analyzes and summarizes the creative experience accumulated by cinema in working with
  color images and investigates the functional role of color in film, the psychophysiological
  and emotional impact of color on the viewer, the symbolism of color, and various methods
  of color solutions in modern films.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 11; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: color
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: color perception
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: symbolism of color
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: special effects
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Color in the System of Artistic Means of Cinema
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 410-436.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/33280/1/410-436.pdf
resources.format: Adobe PDF
resources.size: 790,96 kB