title: Poems-catalogues in the poetry of H. M. Enzensberger
metadata.name: dc.contributor.author
metadata.value: Andreiushkina, Tatiana N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-12-19T14:37:08Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-12-19T14:37:08Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Andreiushkina T. N. Poems-catalogues in the poetry of H. M. Enzensberger. Vestnik of Saint Petersburg University. Language and Literature. 2023, 20 (3): 400–428. https://doi.org/10.21638/spbu09.2023.301 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2023.301
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/44517
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article analyses the types of cataloguing and various sub-genres of the catalog in the poetry
  of the German poet, playwright and prose writer H. M. Enzensberger (1929–2022). The
  poet’s collections of 1957–2013 were anilysed. The article traces such methods of cataloguing
  lyrical material as a name indicating cataloguing, a series of baroque metaphors in Enzensberger’s
  catalogue poems, an arbitrary enumeration as an example of the illogicality of phenomena/
  actions, anaphoric repetitions of personal pronouns as a way of organizing a lyrical
  catalogue, dialogue as a method of lyrical cataloguing, a cumulative effect in catalogue poems.
  It is shown how stylistic devices (repetition, gradation, cumulation, climax, anaphora, etc.)
  determine the structure of the text. Such sub-genres of the catalogue as inventory, emblemmystery,
  dialogue, poems about the seasons and days, laudatory song, testament, poetological
  catalogue are considered. Enzensberger relies on the German and European tradition in the
  use of genres, which goes back both to the culture of the ancient world and to folk art (incantations,
  songs, laments, dialogues), where the descriptive and enumerative nature of the text
  is manifested, which determines its structure. The lyrical catalogue is also akin to religious
  poems, in which nominalization prevailed, that goes back both to the culture of the ancient
  world and to folk art, where the descriptive and enumerative nature of the text is manifested,
  which determines its structure.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 20; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: catalogue poem
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: inventory
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: political lyrics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: poetological catalogue
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Enzensberger
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Poems-catalogues in the poetry of H. M. Enzensberger
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 01.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/44517/1/01.pdf
resources.format: Adobe PDF
resources.size: 704,79 kB