title: Gustave Dore — the artist of a book: illustrations to the poem “Divine Comedy” by Dante Alighieri. “Inferno” — the tragedy as a leitmotif of the graphic design
metadata.name: dc.contributor.author
metadata.value: Chelbogasheva, Olga S.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-07-18T15:42:14Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-07-18T15:42:14Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2017-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Chelbogasheva O. S. Gustave Dore — the artist of a book: illustrations to the poem “Divine Comedy” by Dante Alighieri. “Inferno” — the tragedy as a leitmotif of the graphic design. Vestnik SPbSU. Arts, 2017, vol. 7, issue 2, pp. 203–222.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2017.205
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/6926
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article deals with the interpretation of the literary idea of “Inferno” — the first part of the Dante
  Alighieri’s (1265-1321) Divine Comedy as realised in the exemplary series of the French engraver,
  painter and master of the art books of the 19th century Gustave Dore (1832–1883). The author carries
  out an image-stylistic analysis of the graphic artists solution. The main objective is to study the synthesis
  of the visual and conceptual plan of the Commedia. Particular attention is paid to the specifics of the
  master’s creative method and his connection with the tendencies of the romantic art of Caspar David
  Friedrich (1774–1840), Eugène Delacroix (1798-1863), William Blake (1757–1827), and a group of
  German and Austrian artists called the “Nazarenes”. The graphic language of Doré reveals a strong
  influence from the illustrations by John Martin (1789–1854) to Milton’s (1608–1674) Paradise Lost.
  The pictorial comment to the Inferno opens up new aesthetic values of the poem and represents one of
  the characteristic forms of its figurative vision at the present stage. Refs 7. Figs 8.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 7; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Gustave Dore
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Divina Commedia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Dante
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: graphical interpretation in the art of the 19th century
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Gustave Dore — the artist of a book: illustrations to the poem “Divine Comedy” by Dante Alighieri. “Inferno” — the tragedy as a leitmotif of the graphic design
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 05-Chelbogasheva.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/6926/1/05-Chelbogasheva.pdf
resources.format: Adobe PDF
resources.size: 5,54 MB