title: Chinese porcelain plastic of the 1950s as a subject of private collection
metadata.name: dc.contributor.author
metadata.value: Wang, Yu
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Liao, Zhengding
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-30T09:55:33Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-30T09:55:33Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Wang Yu, Liao Zhengding 2020. Chinese porcelain plastic of the 1950s as a subject of private collection. The Issues of Museology 11 (1): 83–93.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2020.108
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19696
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In China porcelain throughout history has been very collectible, however, the cost of ancient
  porcelain and the products of state workshops was pretty high, so ordinary collectors could
  not afford to buy them. In the 1950s the situation radically changed: at this time a new phenomenon in art was developed — a small porcelain plastic, which received a specific meaning,
  its artistic language was distinguished by the originality, it perfectly complemented the furniture and combined with the environment, having received because of that the recognition of
  collectors. In the 21st century, private collectibles of cultural heritage objects are encouraged
  by the government of the PRC and receives increasing attention from the public. In addition,
  the last years are characterized by the manifestation of “noble” interest in China porcelain
  products of the second half of the 20th century, including the works, not the following traditional artistic concepts. This article is devoted to the consideration of private modern collections of small porcelain plastics of the 1950s in China. The aim of the article is to consider
  the collection and artistic value of porcelain plants of the 1950s, as well as revealing preferences, determining the directions and reasons for its private collectible. The work is attempted
  to study and analyse the activities of such Chinese patrons of porcelain, like Juanfen, Tao
  Zhaocin and Dan Cinfu, which made significant efforts to search, collect and study Chinese
  porcelain art, and also made a considerable contribution to the foundation and the establishment of various institutions and museums, the subject of the study and collectible of which is
  porcelain plastic. The analysis of the exhibits of the three collections is designed to shed light
  on further directions and identify prospects for the development of collection and research
  activities in the field of chalk porcelain plastic of the 1950s.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: collection
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: collecting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: porcelain
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: interior plastic
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: porcelain collections
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: China
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Chinese porcelain plastic of the 1950s as a subject of private collection
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 83-93.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19696/1/83-93.pdf
resources.format: Adobe PDF
resources.size: 1,5 MB