title: ROMAN INGARDEN’S CONTRIBUTION TO SOLVING THE ONTOLOGICAL AND METHODOLOGICAL PROBLEMS OF PHENOMENOLOGY OF MUSIC
metadata.name: dc.contributor.author
metadata.value: MEDOVA, ANASTASIA
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: KIRICHENKO, ANNA
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-12-09T18:10:48Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-12-09T18:10:48Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: MEDOVA A., KIRICHENKO A. ROMAN INGARDEN’S CONTRIBUTION TO SOLVING THE ONTOLOGICAL AND METHODOLOGICAL PROBLEMS OF PHENOMENOLOGY OF MUSIC. Horizon. Studies in Phenomenology, 2020, vol. 9, issue 2, pp. 662–682.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2226-5260-2020-9-2-662-682
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/21408
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Phenomenology of music has been a perspective trend of phenomenological aesthetics for more than
  a hundred years. The topic of the paper is fixation the main problems and vectors of development of
  phenomenology of music. The authors execute an analysis of Roman Ingarden’s position in the discussions concerning the methodological and ontological problems of phenomenology of music. The paper
  aims at revealing succession in Roman Ingarden’s solutions to the phenomenology of music problems.
  The other aim is reflection on the originality of Ingarden’s ideas in the context of phenomenological
  interpretations of music in 20th and 21st centuries. The solution to these tasks allows the authors to fix
  key problems and identify the principal positions of phenomenology of music. The main sources of
  the comparative and historical analysis are the studies carried out by Husserl, Sartre, Merleau-Ponty,
  Clifton, and Ihde. The most important ontological problems of phenomenology of music are: spatiotemporal constitution of music, reduction of a work of music to its performance, and ontological status
  of a work of music. The analysis of Ingarden’s position on these problems allows us to characterize it
  as something different from the existing versions. According to the conception, the time of music is
  a special type of time, that is, quasi-time. A piece of music is a purely intentional, heteronomous, and
  intersubjective object. There are a number of methodological specificities of Ingarden’s approach: a
  refusal of reduction of musical theoretical data, a tendency for independence of a piece of music from conscious and mental processes, and an interpretation of a piece of music as a non-sounding phenomenon. In conclusion, the authors demonstrate how the originality and radical nature of Ingarden’s
  conclusions made his position defenseless against critique and simultaneously marked the tendency in
  the contemporary phenomenological studies of music.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Horizon. Studies in Phenomenology;Volume 9; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Roman Ingarden
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ontology of music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: acoustic phenomenon
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical time
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical time
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: space of music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: bound idealities
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: intentional object
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: quasitemporal structure
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semantic intention
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: ROMAN INGARDEN’S CONTRIBUTION TO SOLVING THE ONTOLOGICAL AND METHODOLOGICAL PROBLEMS OF PHENOMENOLOGY OF MUSIC
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 662-682.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/21408/1/662-682.pdf
resources.format: Adobe PDF
resources.size: 637,74 kB