title: Concerning the notable compositional kind of fugues in Bach’s “Well tempered clavier”
metadata.name: dc.contributor.author
metadata.value: Yuzhak, Kira I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-04-05T10:11:42Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-04-05T10:11:42Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Yuzhak K. I. Concerning the notable compositional kind of fugues in Bach’s “Well tempered clavier”. Vestnik SPbSU. Arts, 2018, vol. 8, issue 1, pp. 17–36.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2018.102
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/9338
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The paper focused on fugues from WTC which use the “Russian doll” principle in their composition.
  The work considers the prerequisites for building such structures and examineds some
  examples.The most significant among them are the fugues in G major from the WTC I and
  E major from the WTC II. Each of them has the sequence of subject entrances (in all fugue’s
  parts) immediately after the exposition according to rules of a strict counterexposition. In both
  examples a subject is modified: in the first case it presented in inverted form, in the latter one,
  pressed in stretto. A concept fugue in fugue is in accordance with Bach’s inclination toward super-
  compositions. And if this concept realized in his cyclic works as growing in breadth, outside,
  then, in the “Russian doll” fugues, the super-composition grows inward, making the structure
  internally complicated and far more significant. At last, both of the super-compositions types
  represent integrated device large and small, unity and stability of the universe.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: J. S. Bach
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Well Tempered Clavier
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: fugue
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: exposition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: counterexposition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: additional entry
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Concerning the notable compositional kind of fugues in Bach’s “Well tempered clavier”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 02-Yuzhak.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/9338/1/02-Yuzhak.pdf
resources.format: Adobe PDF
resources.size: 2,06 MB