title: Features of the Language Game in Liu Zhenyun’s Prose on the Example of the Novel “I am not Pan Jinlian”
metadata.name: dc.contributor.author
metadata.value: Ignatenko, Alexander V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-11-14T16:35:03Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-11-14T16:35:03Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ignatenko A. V. Features of the Language Game in Liu Zhenyun’s Prose on the Example of the Novel “I am not Pan Jinlian”. Vestnik of Saint Petersburg University. Asian and African Studies, 2022, vol. 14, issue 3, pp. 507–523. https://doi.org/10.21638/spbu13.2022.308 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu13.2022.308
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/38559
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The paper discusses stylistic techniques and means of creating a language game on the example
  of the novel “I am not Pan Jinlian” (2012) by Liu Zhenyun. The emphasis is on the
  search for new orderings in the language game within the framework of the artistic universe.
  Studies of Liu Zhenyun’s artistic discourse today are included in various linguistic, literary and cultural landscapes, but they are fragmentary in nature and are presented, as a rule, on
  local material. The language, artistic features and idiosyncrasy of the writer can be considered
  practically unexplored, which determines the relevance of this study. The linguistic features
  of the language game in the works of Liu Zhenyun are consistently considered at three levels
  in this study. Metaphors, oxymorons, irony, etc. are analyzed at the level of the use of artistic
  means and techniques. At the structural and functional level, attention is focused on the formal
  structure and organization of the artistic fabric of the text, some stylistic and syntactic aspects
  of the language game, parallel constructions and techniques (zeugma, chiasm, anacoluf,
  parallelisms, ekphrasis, etc.) are analyzed. At the cognitive-discursive level, attention is paid
  primarily to the problem of the organization of the conceptual-semantic space of the text and
  the disclosure of its laws, as well as its integration and synthesis with non-linguistic sciences —
  philology, psychology, cultural studies, etc. The mixed methods used in the article allowed us
  to obtain results that are productive from the point of view of the possibilities of structuralfunctional
  and discursive analysis of artistic material. The obtained data and conclusions open
  up wide opportunities for further analysis of the language game in artistic discourse.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Asian and African Studies;Volume 14; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: language game
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Liu Zhenyun
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chinese literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: I am not Pan Jinlian
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Features of the Language Game in Liu Zhenyun’s Prose on the Example of the Novel “I am not Pan Jinlian”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14734-Article Text-48845-1-10-20221109.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/38559/1/14734-Article%20Text-48845-1-10-20221109.pdf
resources.format: Adobe PDF
resources.size: 1,01 MB