title: Works of Moscow Art Workshops During the Reign of Tsar Fyodor Alexeyevich: Defining the Issue
metadata.name: dc.contributor.author
metadata.value: Pivovarova, Nadezhda V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-12-19T09:04:53Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-12-19T09:04:53Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Pivovarova, Nadezhda. “Works of Moscow Art Workshops During the Reign of Tsar Fyodor Alexeyevich: Defining the Issue”. Vestnik of Saint Petersburg University. Arts 8, no. 4 (2018): 646–65.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/spbu15.2018.407
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/15164
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The paper presents the results of various studies of the works of Moscow Art workshops produced
  during the short reign of Tsar Fyodor Alexeyevich (1676–1682). It analyzes the creation,
  the iconography and the artistic features of a number of works of art from the collections of St. Petersburg
  and Moscow museums. Special attention is given to the iconographical programme and
  the inscription on the icon “The Crucifixion with apostles and saints” from the State Russian
  Museum in St. Petersburg. The icon’s first and only researcher T. Ananyeva used the text of the
  inscription and the colour of the icon to interpret its worldly meaning as a work created for tsar
  Fyodor Alexeyevich to celebrate the end of the war and the establishment of peace. According
  to T. Ananyeva, the probable author of the inscription was Joann Maximovich, who sought
  Moscow’s support in the period of struggle between Transdnieper and Turkey. However, a more
  recent study proved the version mistaken. It has been established that the text is not original, but
  is borrowed from the divine service of the feast of the Holy Cross Day (September 14). This, in
  turn, has called for reconsidering the iconographical programme of the icon. Support is given to
  the hypothesis that the icon is connected with the project of creating the “New Jerusalem” in the
  Moscow Kremlin under tsar Feodor Alexeevich. The paper presents the opinion that the icon
  was painted by a group of Moscow art workshop masters led by Mikhail Milyutin, chief painter
  of the Armoury Chamber. Two liturgical sets and a few altar Gospels from the domestic churches
  at the Grand Terem Palace in the Moscow Kremlin are also used in the current research. The
  features of technique are studied and differences in their design are established.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The reported study was funded by RFBR according to the research project № 16-04-00258.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Tsar Fyodor Alexeyevich
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: domestic churches
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the Moscow Kremlin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Moscow art workshops
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Works of Moscow Art Workshops During the Reign of Tsar Fyodor Alexeyevich: Defining the Issue
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 07-Pivovarova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/15164/1/07-Pivovarova.pdf
resources.format: Adobe PDF
resources.size: 20,99 MB