title: The image of Ivan the Terrible in the national fine arts of the XX – beginning of the XXI century. Traditions and innovations
metadata.name: dc.contributor.author
metadata.value: Mutia, Natalia N.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-08-07T11:46:01Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-08-07T11:46:01Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-06
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu19.2018.107
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/14727
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article for the first time analyzes innovative and traditional trends in the works of modern art
  devoted to the image of Ivan the Terrible. On the basis of art history and cultural-historical approaches the
  author reveals and analyzes the continuity of art of XIX and XX centuries in formal and substantive aspects.
  The subject of the study are the following trends: the similarity of the figurative language of the works of
  the Russian school of painting XIX and XX centuries; allusively as the iconic feature of the artistic thinking,
  the coexistence of the salon-academic and democratic lines of painting for two centuries, interest in the
  heritage of the “Russian style”, leading from the origins of the middle Ages; the interaction of religious and
  secular origins; themed community art, past and present. Particular emphasis is placed on the search for new
  themes in modern historical painting. The author considers as works of the leading masters of a modern era,
  and beginning painters and sculptors. The article analyzes the relationship between fine arts and historical
  science. The article is based on works of art kept in various museums (fine arts, local history, historical,
  military, Museum-reserves), private collections displayed at temporary exhibitions.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The research was supported by the Russian Science Foundation, project 16-18-10080.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Studia Slavica et Balcanica Petropolitana;Issue 1(23)
metadata.lang: -
metadata.name: dc.subject
metadata.value: historical painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Ivan the terrible
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: traditions
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: innovation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: salon-academic art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: democratic line of painting
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The image of Ivan the Terrible in the national fine arts of the XX – beginning of the XXI century. Traditions and innovations
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 07-Mutja.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/14727/1/07-Mutja.pdf
resources.format: Adobe PDF
resources.size: 496,64 kB