title: Performing Ornaments in English Harpsichord Music. Part II
metadata.name: dc.contributor.author
metadata.value: Panov, Alexei
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Rosanoff, Ivan
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-05-05T14:48:57Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-05-05T14:48:57Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Panov, Alexei, and Ivan Rosanoff. “Performing Ornaments in English Harpsichord Music. Part II”. Vestnik of Saint Petersburg University. Arts 12, no. 1 (2022): 4–32.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2022.101
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/36260
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article continues a series of publications on problems pertaining to performing ornaments
  on keyboard musical instruments in England of the 17th–18th centuries according to historical
  documents of that time. The authors consider the history of the publication of the ornamentation
  table with thirteen embellishments compiled by Charles Coleman and published in the
  treatises The Division-Violist by Christopher Simpson (1659) and A Brief Introduction to the
  Skill of Musick by John Playford (1660). Among other matters, various aspects in the Rules of
  Graces worded by Henry Purcell (A Choice Collection of Lessons for the Harpsichord or Spinnet,
  1696) are discussed. In particular, in the table published by Simpson, special attention is paid
  to a comprehensive review of the realization of such ornaments as “[The] Backfall shaked”
  and “[The] Shaked Beat”. In “Rules of Graces” contained in Purcell’s A Choice Collection, the
  authors turned to the ornaments called “[The] beat” and “a plain note & shake”, as well as to
  the following well-known instruction formulated by the famous musician: “observe that you
  allway’s shake from the note above and beat from ye note or half note below, according to the
  key you play in <…>”. In the course of the research, numerous errors and inaccuracies were
  discovered and noted in the scientific and reference-encyclopedic literature of the 20th century
  concerning the interpretation of ornaments in England in the second half of the 17th century
  and in the content of English musical treatises of that time.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 12; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: English baroque harpsichord ornamentation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: performance practice
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Charles Coleman
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Christopher Simpson
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: John Playford
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Henry Purcell
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Performing Ornaments in English Harpsichord Music. Part II
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 4-32.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/36260/1/4-32.pdf
resources.format: Adobe PDF
resources.size: 5,62 MB