title: The Image of the Holocaust in the Television Documentary Drama Trilogy ‘The Chronicle of the Minsk Ghetto’
metadata.name: dc.contributor.author
metadata.value: Stsiazhko, Nataliia G.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-03-31T13:23:00Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-03-31T13:23:00Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Stsiazhko, Nataliia. “The Image of the Holocaust in the Television Documentary Drama Trilogy ‘The Chronicle of the Minsk Ghetto’”. Vestnik of Saint Petersburg University. Arts 11, no. 1 (2021): 56–68.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2021.104
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/26995
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The prevailing view in modern film studies is that television documentary drama (docudrama)
  is either a hybrid, a synthesis, or a documentary film genre. The author of the article
  hypothesizes that docudrama has long exceeded the boundaries of documentary films and
  asserted its own place in the system of screen arts on par with feature films, documentaries
  and animated films. The author claims that docudrama is a unique phenomenon generated
  by television and it combines all the modern innovations in cinema. Docudrama allows for
  the text information to be reformatted into an audio-visual experience in an emotional, spectacular
  and accurate way, therefore possessing the inherent features of other screen arts. Like
  other forms of screen arts, it forms an image capable of evoking certain emotions and makes
  the viewer think and draw their own conclusions. The combination of artefacts and quotes
  adds volume and artistic value to the image. The article explores the genesis and development
  of television docudrama and gives it a definition based on key characteristics. It shows how
  films of various genres can be created within docudrama, proving that docudrama is not a
  subgenre within the genre of documentary film but a new independent branch of screen arts.
  The author highlights that the reason for the popularity of docudrama lies in the fact that
  the historical and informative material, which can be interesting and useful to the viewer, is
  presented in a spectacular and lightweight form. This idea is supported through the analysis
  of the documentary drama trilogy The Chronicle of the Minsk Ghetto, in which an image of
  the Holocaust, the unspeakable tragedy of the Jews during the Second World War, is shown.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: television documentary drama
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: docudrama
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Holocaust
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: image
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: screen arts
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: editing
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: genre
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The Image of the Holocaust in the Television Documentary Drama Trilogy ‘The Chronicle of the Minsk Ghetto’
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 56-68.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/26995/1/56-68.pdf
resources.format: Adobe PDF
resources.size: 668,61 kB