title: Illustrated Edition Liao Zhai Zhiyi Tuyong, Published in 1886: Reprints  and Imitations
metadata.name: dc.contributor.author
metadata.value: Storozhuk, Alexander G.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-10-04T10:36:00Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-10-04T10:36:00Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Storozhuk A.G. Illustrated Edition Liao Zhai Zhiyi Tuyong, Published in 1886: Reprints  and Imitations. Vestnik of Saint Petersburg University. Asian and African Studies, 2023, vol. 15, issue 2,  pp. 345–358. https://doi.org/10.21638/spbu13.2023.208 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu13.2023.208
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/44081
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Editions of the famous story collection “Liao Zhai zhi yi” (聊齋志異, Strange Tales from a 
  Chinese Studio) by Pu Songling (蒲松齡, 1640–1715) were numerous and various in the 19th
  century. A special place among them holds the lithograph, printed in 1886 on the funds of 
  tycoon Xu Run (徐潤, 1838–1911); the edition contains an abundant collection of illustra tions and specially written poetic inserts. The lithograph was titled “Xiangzhu Liao Zhai zhi 
  yi tuyong” (詳註聊齋誌異圖詠, Illustrated and Commented “Strange Tales from a Chinese 
  Studio”) and begot a great number of imitations and fakes among Chinese editions of the end 
  of the 19th — beginning of the 20th centuries. Sometimes they were done so beautifully that 
  happened to be practically undistinguishable from the original; sometimes they deliberately 
  demonstrated their individuality, having become autonomous works of printing art with aes thetic peculiarities of their own. Along with that beginning of the 20th century generated a 
  number of typographically printed editions, but their design either repeated or stood very 
  close to the original Shanghai publication. The tradition happened to be very tenacious, so 
  that contemporary editions continue copying exterior of the 1886 collection. Purpose of this 
  article is to outline the main features of the original 1886 lithograph and its major later re prints until 1930s and their significant for attribution codicological peculiaritie.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of Saint Petersburg University. Asian and African Studies;Volume 15; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Pu Songling
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Liao Zhai zhi yi
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: lithograph
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: codicological descriptions
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: reprints
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Illustrated Edition Liao Zhai Zhiyi Tuyong, Published in 1886: Reprints  and Imitations
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 08 Востоковедение.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/44081/1/08%20%d0%92%d0%be%d1%81%d1%82%d0%be%d0%ba%d0%be%d0%b2%d0%b5%d0%b4%d0%b5%d0%bd%d0%b8%d0%b5.pdf
resources.format: Adobe PDF
resources.size: 1,45 MB