title: THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER
metadata.name: dc.contributor.author
metadata.value: Selimov, Mazay
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-03-15T12:34:30Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-03-15T12:34:30Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-12
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288062049.42
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/35747
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This paper is about the Tanizaki Jun’ichirō’s (1886–1965) experience of creating
  a 1920–1950s Japanese woman image inspired by the urban environment of Yokohama
  — the city as a mirror of the Western culture in Japan. The writer who had
  combined the images of European and Oriental women in order to obtain the architype
  of new Japanese woman in his early works no longer wanted to do this. He began
  to portray a new-age woman — his new ideal, which writer observed in Hollywood
  movies. Tanizaki Jun’ichirō anticipated the appearance of Modan gāru on the Japanese
  stage, women who became objects of public attention because they followed Western
  fashion trends and lifestyle. Precisely this kind of woman occupied Tanizaki’s mind for the first half of the 1920s. The novel Blue Flower (Aoi hana, 青い花, 1921) was the first
  Tanizaki Jun’ichirō’s work, in which we meet the modan garu, a new type of Japanese
  woman of the first half of the XX c. In this novel, he presents the West as a source of
  femininity, and western attributes now as being able to change both the exterior and
  interior of a human. Blue Flower is the result of Tanizaki Jun’ichirō’s research of these
  new women in his quest for their physical perfection.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Proceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)";Volume 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Japanese literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Tanizaki Jun’ichirō
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Blue Flower
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: female beauty in Japan
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the new Japanese woman in early 20th century
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: THE IMAGE OF THE IDEAL WOMAN IN TANIZAKI JUN’ICHIRŌ’S NOVEL BLUE FLOWER
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 585-594.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/35747/1/585-594.pdf
resources.format: Adobe PDF
resources.size: 1,24 MB