title: Architectural images in Precarpathian Iconography of the 16–18th centuries
metadata.name: dc.contributor.author
metadata.value: Osadtsa, Marta Z.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2016-08-02T13:39:10Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2016-08-02T13:39:10Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2016-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Osadtsa M. Z. Architectural images in Precarpathian Iconography of the 16–18th centuries. Vestnik of Saint-Petersburg University. Ser. 15. Arts, 2016, issue 2, pp. 19–35. DOI: 10.21638/11701/spbu15.2016.202
metadata.lang: en_GB
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/2530
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article reviews the origins of the local tradition of the images of landscape background with elements
  of architectural content in the Precarpathian region icon-painting. Special attention is focused
  on the issue of regional specifics of architectural images on the territory of Ivano-Frankivsk region (Western Ukraine). The elements of architectural landscape and its stylistic and compositional features
  on the examples of specific iconographic scenes of the local iconographic centers in Dolyna, Rohatyn,
  Voynilіv and Bolehіv second half of the 16th — early 17th centuries are identified. The influence of
  Renaissance and Baroque aesthetic on the local iconography stylistics has been embodied by architectural
  images of Renaissance character. The architectural environment, despite some schematic interpretation,
  is shown in the form of typical architecture with elements of urban culture. These trends
  are confirmed by the icons of Voyniliv and Bolechiv iconographic center of the first third of the 17th
  century. The characteristics of city motives interpretation in the iconostasis of the middle — the end of
  the 17th century — Church of Holy Spirit in Rohatyn (1650) and Church of Exaltation of Holy Cross,
  Skyt Maniavsky Monastery, painted in 1698–1705 and known as Bohorodchany iconostasis, are analyzed.
  The iconographic compositions of the middle — end of the 17th century with actual images of
  urban areas, concrete definition of the events and city views with the motives of defensive walls, towers,
  domes of temples and gates in the background (Jove Kondzelevych) are defined. Refs 16. Figs 9.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Series 15. Arts;Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: architectural staffage
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: landscape
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: icon-painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: iconographic centers
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the Precarpathian region
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Architectural images in Precarpathian Iconography of the 16–18th centuries
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: Осадца.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/2530/1/%d0%9e%d1%81%d0%b0%d0%b4%d1%86%d0%b0.pdf
resources.format: Adobe PDF
resources.size: 3,74 MB