title: European cultural event: Exhibitions of old Russian art in Germany in 1926 and 1929
metadata.name: dc.contributor.author
metadata.value: Sychenkova, Lydia A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-03-20T12:26:24Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-03-20T12:26:24Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Sychenkova L. A. European cultural event: Exhibitions of old Russian art in Germany in 1926 and 1929. The Issies of Museology, 10 (2), 172–186.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2019.204
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/17262
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article deals with the history of exhibitions of old Russian art in 1926–1929 in Germany.
  Rethinking the history of the triumphal success of exhibitions is based on the analysis of
  publications and letters of participants and organizers of exhibitions. Reinterpretation of the
  memoirs and epistolary legacy of Fyodor Schmit and Igor Grabar reveals the non-obvious
  subtexts of large-scale cultural projects of the 1920s. The article shows the contribution Of
  F. I. Schmidt and the State Institute of Art History headed by him in the organization of the
  first exhibition in 1926 in Germany. The article considers the attitude of the Russian German
  F. Schmit to German science and culture. The author is inclined to the version that the exhibition
  was a tragic frontier, both in the biography of the scientist and the institute’s fate. According
  to the author, between the exhibitions of 1926 and 1929 there is a genetic relationship,
  both on the subject and on the composition of the participants. The history of the exhibition
  of Russian icons in 1929 in the interpretation Of I. E. Grabar does not reveal a definitive image
  of the scientist: not only a talented art historian, organizer of the restoration business, but also
  a functionary who managed to fit into the system. For Soviet Museum workers, exhibitions of
  old Russian art in 1926 and 1929 in Germany were the first steps to gain experience in Museum
  marketing abroad. The author comes to the conclusion that the exhibition, despite the
  commercial component, performed an important scientific and educational mission. For the
  first time, on this scale, a panorama of the centuries-old development of Russian art abroad
  was presented. The author proposes the need to involve a wide range of sources from the German
  side to study a new aspect of the topic.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 10; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: exhibitions of ancient art 1926–1929 years
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: F. Schmitt
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: I. Grabar
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the technique of copying
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: experience of museum marketing
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Museum world of Russia and Germany
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: European cultural event: Exhibitions of old Russian art in Germany in 1926 and 1929
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 172-186.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/17262/1/172-186.pdf
resources.format: Adobe PDF
resources.size: 2,31 MB