title: Humanization or technology of “soft power” in the urban space: The semiotics of loft
metadata.name: dc.contributor.author
metadata.value: Artemenko, Andrei P.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Artemenko, Yaroslava I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-10-30T14:34:08Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-10-30T14:34:08Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Artemenko A. P., Artemenko Ya. I. Humanization or technology of “soft power” in the urban space: The semiotics of loft. Vestnik of Saint Petersburg University. Sociology, 2018, vol. 11, issue 3, pp. 319–331.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/spbu12.2018.304
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/15022
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The subject of the article is the study of the architectural and design style of the loft as a means
  of transforming the urban space. This style is analyzed from the point of view of the concept
  of space production as a mechanism for soft power implementing and social correction of an
  urban community. The evolution of the loft style from the forced reaction to the de-industrialization
  of urban space is traced to the creation of a complex semiotic model of urban culture.
  Loft design reflects the process of recombination of symbols inherent in the humanized space.
  The complex of buildings of the Tate Modern Gallery (London) is presented as an example of
  a loft object. The reconstructed building of Bankside Power Station contains a specific spatial
  code based on the cultural conventions of the Modern Age. This loft object demonstrates
  temporary layers of meanings and aesthetic preferences. The space in the city has a practical,
  functional and commercial significance. It is formed by a culture of mass consumption. Loft
  design is a solution to the problems of dehumanizing the urban environment and the model
  city creating a desert around described by J. Baudrillard. On the one hand, the loft becomes an
  aesthetic manifestation of the idea of the historical memory of an architectural object. On the
  other hand, the history of the loft style demonstrates the transformation of culture into a key
  business restructuring the physical, economic and social space of the modern city.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Sociology;Volume 11; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: loft
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semiotics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: urban space
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: deindustrialized city
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: humanization of urban space
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: soft power
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Humanization or technology of “soft power” in the urban space: The semiotics of loft
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 04-Artemenko.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/15022/1/04-Artemenko.pdf
resources.format: Adobe PDF
resources.size: 649,56 kB