title: Marc-André Dalbavie’s ‘Diadèmes’: From the Polyphony of Layers to the ‘Polyphony of Processes’
metadata.name: dc.contributor.author
metadata.value: Vysotskaya, Marianna S.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-02-29T19:35:53Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-02-29T19:35:53Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Vysotskaya, Marianna. “Marc-André Dalbavie’s ‘Diadèmes’: From the Polyphony of Layers to the ‘Polyphony of Processes’”. Vestnik of Saint Petersburg University. Arts 13, no. 4 (2023): 621–638. https://doi.org/10.21638/spbu15.2023.402 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.402
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/44987
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In the spectral and post-spectral music the category of process acquires special significance.
  Realizing the idea of an internal connection between form and material, processuality
  is endowed with compositional functions and, being implemented in a continuum of
  transformations of sound objects — timbre-harmonic and timbre-textural complexes, —
  determines the dynamics of shaping. The concept of “composing” directed musical processes
  as a conductor of the idea of transition and transitivity, which is the cornerstone for the
  aesthetics of spectralism, becomes part of the compositional strategy of Marc-André Dalbavie
  (b. 1961). In the Russian-language musicological literature, this publication is the first and so
  far the only reference to the work of one of the leading contemporary European composers.
  Based on the material “Diadèmes” for viola solo, instrumental ensemble and electronics
  (1986), the most important components of the author’s method are considered: the principles of continuity of transformations of sound structures, interpolation of timbre-textured blocks
  and musical “streams”, as well as the principles of sound polarization and “reintegration” a
  number of “historical” compositional procedures. Particular attention is paid to the author’s
  concept of “polyphony of processes” as a tool for the multifaceted implementation of the
  compositional action of the process category, carried out both within the layers of individual
  musical parameters — harmony, rhythm, timbre — and in the space of their cross interaction.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Marc-André Dalbavie
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: process
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: interpolation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: timbre-harmonic complex
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: sound object
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: polyphony of processes
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: reintegration
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Marc-André Dalbavie’s ‘Diadèmes’: From the Polyphony of Layers to the ‘Polyphony of Processes’
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 02.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/44987/1/02.pdf
resources.format: Adobe PDF
resources.size: 4,73 MB