title: Kasyan Agapov, Chisel and Olesha on the pages of “Gudok” (1922–1924): On the question of the function of a pseudonym
metadata.name: dc.contributor.author
metadata.value: Guskov, Nikolai A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-08-26T20:44:33Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-08-26T20:44:33Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Guskov N. A. Kasyan Agapov, Chisel and Olesha on the pages of “Gudok” (1922–1924): On the question of the function of a pseudonym. Vestnik of Saint Petersburg University. Language and Literature. 2024, 21 (1): 20–41. https://doi.org/10.21638/spbu09.2024.102 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2024.102
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47308
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is dedicated to the poems of Yuri Olesha, published in 1922–1924. in the newspaper “Gudok” under his own name and pseudonyms “Zubilo” (the Chisel) and “Kasyan Agapov” (this pseudonym did not attract the attention of critics). An analysis of the texts shows that the young writer created, using the pseudonyms, two different caracters of the fictive author. At first, Zubilo and Kasyan Agapov did not differ from each other, but soon their roles were differentiated: the first became a witty feuilleton-railroad worker, writing on everyday topics and fighting bureaucracy, the second — a poet from the people, adhering to the serious theme of the official tone. Olesha soon began to sign the most serious poems of political content with his own name. The article assumes, how the using of pseudonyms is related to the position of Olesha in the historical and literary situation of the years 1920. You can found here also the traits analysis of the poetics of the poems of Zubilo and Kasyan Agapov, which were not noted by researchers, are analyzed: parodic techniques, the combination of different stylistic, thematic plans, opposite poetic and genre forms, etc. Perhaps, these signs are typicals for the poems of other representatives of the Southern (Odessa) school, who worked in “Gudok”. This opens up prospects for new research.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 21; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Yu. K. Olesha
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Zubilo
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: “Gudok”
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: pseudonym
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Russian literature of 20th century
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Kasyan Agapov, Chisel and Olesha on the pages of “Gudok” (1922–1924): On the question of the function of a pseudonym
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 9-1-2024+для+сайта-20-41+Гуськов.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47308/1/9-1-2024%2b%d0%b4%d0%bb%d1%8f%2b%d1%81%d0%b0%d0%b9%d1%82%d0%b0-20-41%2b%d0%93%d1%83%d1%81%d1%8c%d0%ba%d0%be%d0%b2.pdf
resources.format: Adobe PDF
resources.size: 671,04 kB