title: On the specifics of a contemporary film interpretation of village prose: Brothers and Sisters by F. А. Abramov — Two Winters and Three Summers by T. R. Esadze
metadata.name: dc.contributor.author
metadata.value: Razuvalova, Anna I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-07T19:37:20Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-07T19:37:20Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Razuvalova A. I. On the specifics of a contemporary film interpretation of village prose: Brothers and Sisters by F. А. Abramov — Two Winters and Three Summers by T. R. Esadze. Vestnik of Saint Petersburg University. Language and Literature. 2022, 19 (3): 575–594. https://doi.org/10.21638/spbu09.2022.311 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2022.311
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39059
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The author focuses on the recent film adaptation of the iconic work of village prose — the
  novel tetralogy Brothers and Sisters by Fyodor Abramov. Teimuraz Esadze’s TV series Two
  Winters and Three Summers (2014), which was shown on Russia 1, is considered as a part of a
  large-scale process that sociologist Boris Dubin has called reconciliation with the Soviet past
  (an important symptom of this process was a wave of film adaptations of Soviet classics in the
  second half of the 2000–2010s). Insisting that Abramov’s novels are classics of Russian literature,
  Esadze sought to extract from them, first, relevant formulas of collective identity, and
  second, explanatory models capable of shedding light on social processes in late- and post-
  Soviet society. In the article, the way the director uses the conceptual apparatus and imaginative
  and rhetorical system of village prose is interpreted as an attempt to reanimate the critical
  discourse of late-Soviet neopochvennichestvo in new conditions. The article examines the ambivalent
  strategy of Esadze’s TV series, on the one hand, oriented toward a precise reproduction
  of Abramov’s text, and on the other hand, taking into account the narrative and figurative
  logic of the TV series, usually addressed to a mass audience. The article concludes that such
  a strategy has a low analytical and reflexive potential, depending on the generalized media
  image of a Russian village, internalized through literary, film- and television representations,
  collective (family) or personal memories.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 19; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: Fyodor Abramov
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Teimuraz Esadze
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: village prose
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: TV serials
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film adaptation
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: On the specifics of a contemporary film interpretation of village prose: Brothers and Sisters by F. А. Abramov — Two Winters and Three Summers by T. R. Esadze
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14894-Текст статьи-49498-1-10-20221206.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39059/1/14894-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-49498-1-10-20221206.pdf
resources.format: Adobe PDF
resources.size: 717,06 kB