title: Сooperation and inspiration of printer publishers in Antwerp in the age of media change
metadata.name: dc.contributor.author
metadata.value: Schlusemann, Rita
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-01-15T09:40:29Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-01-15T09:40:29Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Schlusemann R. Сooperation and inspiration of printer publishers in Antwerp in the age of media change. Scandinavian Philology, 2019, vol. 17, issue 2, pp. 381–396.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu21.2019.213
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16915
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In the 16th century Antwerp, the “metropolis of the west”, was a not only an economic
  centre in Europe with lots of trade, but also a main centre for the production of
  (translated) literature. Some very well-known printer publishers started their business
  and were very active in this town. This contribution shows that the relations between
  printer publishers in the first half of the 16th century were more collaborative than formerly
  assumed. Jan van Doesborch and Willem Vorsterman cooperated by sharing material,
  expertise and knowledge in order to reduce the costs for the production of books
  and for mutual inspiration. Marten Nuyts, who had taken over Vorsterman’s publishing
  house after his death (1543), published the first edition of the first book of the Dutch
  Amadijs (ca. 1546), a translation of the popular Spanish Amadis. There is only one copy
  of the Dutch book preserved — which is now accessible again — which material aspects
  are discussed in this contribution in more detail for the first time. Nuyts could not only
  make use of Vorsterman’s illustration material, his woodblocks and initials, but he was
  also inspired by Vorsterman’s design of publishing romances and historical works. He
  adapted ‘foreign’ books to the modern appearance of books in the southern Dutch book
  market, which shows his flexibility and professionality.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: other
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Scandinavian Philology;Volume 17; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: cooperation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: printer publishers
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Antwerp
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: book market
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: 16th century
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Jan van Doesborch
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Willem Vorsterman
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Marten Nuyts
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Amadis
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Сooperation and inspiration of printer publishers in Antwerp in the age of media change
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 381-396.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16915/1/381-396.pdf
resources.format: Adobe PDF
resources.size: 14,18 MB