title: Saved art: Simferopol Art Gallery in evacuation (1941–1944)
metadata.name: dc.contributor.author
metadata.value: Kugusheva, Alexandra Yu.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-10-06T10:35:28Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-10-06T10:35:28Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Kugusheva A. Yu. 2022. Saved art: Simferopol Art Gallery in evacuation (1941–1944). The Issues of Museology 13 (1): 57–64. https://doi.org/10.21638/spbu27.2022.104 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu27.2022.104
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/38220
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to the evacuation of Crimean museum collections in October, 1941. The
  fate of the lost pre-war collection of the Simferopol Art Gallery, which did not have time to leave
  the Crimea and was destroyed by fire in Kerch port, is well known. At the same time, a temporary
  exhibition made up of the works of the Simferopol Gallery was evacuated from Feodosiya
  Art Gallery along with the masterpieces of the great marine painter Ivan Aivazovsky. Prominent
  museum figures Nikolay S. Barsamov and Jan P. Birzgal managed to send the exhibits to Novorossiysk,
  then to Krasnodar. Contrary to the plans of the Committee for the Arts to take these
  exhibits to Stalingrad, both Crimean galleries were sent to Yerevan. At the end of 1941, Birzgal
  compiled a list of 50 salvaged exhibits of the Simferopol Art Gallery. Soviet art of the 1920s–
  1930s is represented by the works of Igor E. Grabar, Mitrofan B. Grekov, Vladimir A. Eyfert, Peter
  P. Konchalovsky. The Russian landscape is represented by Vasiliy V. Baksheev, Pavel A. Radimov,
  Vasiliy V. Rozhdestvensky. From creative trips to Central Asia, Altai and Pamir, new works are
  brought by Peter I. Kotov and Peter N. Staronosov, Nikolay G. Kotov, Peter D. Pokarzhevsky, Sergei
  I. Pichugin. The work of Barsamov, the author of the portrait of the artist Bogaevsky (1940),
  is connected with Crimea. Among the rescued works are the works of Konstantin F. Bogaevsky
  himself, several of his industrial landscapes, and sketches for the panel Crimea (1921); Bakhchisarai
  landscapes by Alexander V. Kuprin, Sudak view by Alexander F. Gaush. In the postwar
  period, the museum workers established the affiliation of works by Ilya E. Repin, Joseph
  I. Oleshkevich, and Henri-Francois Riesener to the pre-war collection.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 13; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Simferopol Art Gallery
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: evacuation of museum valuables
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Jan P. Birzgal
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Nikolay S. Barsamov
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: State Museum of Fine Arts (Yerevan)
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Saved art: Simferopol Art Gallery in evacuation (1941–1944)
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14111-Текст статьи-46420-1-10-20220803.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/38220/1/14111-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-46420-1-10-20220803.pdf
resources.format: Adobe PDF
resources.size: 614,18 kB