title: Modern Chinese Oil Painting on ‘Tibetan Themes’
metadata.name: dc.contributor.author
metadata.value: Lu, Zairan
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-09-17T20:46:15Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-09-17T20:46:15Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2024-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Lu, Zairan. “Modern Chinese Oil Painting on ‘Tibetan Themes’”. Vestnik of Saint Petersburg University. Arts 14, no. 2 (2024): 264–281. https://doi.org/10.21638/spbu15.2024.203 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2024.203
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/47536
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Chinese fine art has undergone a long and painstaking history of the formation of classical
  writing techniques. However, the globalization processes, which also affected the spheres of
  artistic activity, influenced the themes of works, techniques and techniques of oil painting
  in China. Meanwhile, the existential and religious flavor of Tibetan painting, untouched by
  world trends, has preserved many unique traditional principles of existentialism and worldview
  concepts that have absorbed the virginity of the spiritual and semantic identity of the
  people. This phenomenon has attracted a lot of attention from professional artists and collectors
  of fine art. At the same time, the storehouse of unique Buddhist values and the foundations
  of the existence of the people of historical Tibet began to attract researchers and artists
  relatively recently. Namely, since the middle of the last century, eminent masters of the brush
  have only discovered this “art residence”, instantly capturing the market of connoisseurs of
  high culture and lovers of painting with their works, gaining their love for Tibetan chronography
  reflected in modern Chinese oil paintings. The canvases represent the value potential
  for the historiography of the ancient people, conglomerating the foundations of ontological,
  ethnic, regional, national and religious traditions of the original style, which determine the
  semantic value-forming core of Chinese culture. This phenomenon contributes to its continuity
  and self-identity, despite the influence of Western artists. The development of Chinese
  oil painting has undergone many collisions, ranging from Westernization, Russification and
  the consequences of the war with Japan, ending with the discovery of the value potential of
  the worldview system of the Tibetan people. The recognition of Chinese sovereignty over Tibet
  allowed China to integrate into its “art workshop” the spiritual and social perspectives of
  the national identical Tibetan culture, which conquered the art world with its identity. In the
  process of the formation of oil painting, artists subjected it to nationalization and Sinification,
  which, through the prism of depicting the realities of Tibetan life, allowed to form an original
  style of creating works.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 14; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: fine art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chinese Tibetan art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: religious painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: oil painting technique
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: oriental art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: technique training
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: spiritual culture
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Tibet
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Modern Chinese Oil Painting on ‘Tibetan Themes’
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03_ЛуЦзаижань_2024-2.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/47536/1/03_%d0%9b%d1%83%d0%a6%d0%b7%d0%b0%d0%b8%d0%b6%d0%b0%d0%bd%d1%8c_2024-2.pdf
resources.format: Adobe PDF
resources.size: 802,28 kB