title: The Music Salon in Russia in the First Half of the 19th Century
metadata.name: dc.contributor.author
metadata.value: Ogarkova, Nataliia A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-03-20T10:10:16Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-03-20T10:10:16Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ogarkova, Natalia. “The Music Salon in Russia in the First Half of the 19th Century”. Vestnik of Saint Petersburg University. Arts 10, no. 1 (2020): 17–40.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2020.102
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/17250
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article deals with the issues of music functioning in the culture of Russian salons of the
  first half of the 19th century. The salon is regarded as a significant socio-cultural institution
  structured in accordance with chronology and time, the composition of guests and modes of
  communication, concert and theatrical practices, and the administrative and artistic strategy
  mapped out by salon hosts. The paper analyses the social composition of salons, which allows
  for two types of salons to be distinguished: the aristocratic (hosted by Z. A. Volkonskaia,
  Mikhail Yu. Vielgorskii, and A. F. L’vov) and the artistic (founded by A. S. Dargomyzhskii).
  The author identifies the principles that comprise the salon space, irrespective of its type,
  and the main components of which are concert-theatrical and game-entertainment modes of
  communication. The primary focus is given to the phenomenon of the salon concert, which
  is analyzed in detail. The article touches upon the issue of the stylistic specifics of salons from
  sentimental to pre-romantic and romantic with an emphasis on the order of priorities set for
  the music to be performed, thereby mythologizing and de-mythologizing the creator composer
  — ‘the artist.’ A special section of the article is devoted to communicative functions of
  music in the salon culture.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 10; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: salon
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: socio-cultural institution
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Russia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: 19th century
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: salon concert
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical genres
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: music as communication
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The Music Salon in Russia in the First Half of the 19th Century
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 17-40.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/17250/1/17-40.pdf
resources.format: Adobe PDF
resources.size: 3,41 MB