title: Characteristics of Choral Writing in György Ligeti’s Late Works
metadata.name: dc.contributor.author
metadata.value: Ryzhinskii, Aleksandr S.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-12-19T08:50:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-12-19T08:50:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ryzhinskii, Aleksandr. “Characteristics of Choral Writing in György Ligeti’s Late Works”. Vestnik of Saint Petersburg University. Arts 8, no. 4 (2018): 578–92.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/spbu15.2018.403
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/15160
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Article is devoted to the last vocal works a cappella created György Ligeti in 1980 — the 1990th
  years: “Drei Phantasien nach Fridrich Hölderlin”, “Magyar Etüdök” and “Nonsense Madrigals”.
  The author traces relationship between the previous and last choral opuses by the master, between
  Ligeti’s choral works and choral creativity of his predecessors and contemporaries. So the author
  reveals features of ligeti’s late choral style: at the levels of relationship between word and music,
  the texture and timbre organization. The author pays special attention to studying of Ligeti’s
  neomadrigalism. This phenomenon proves in the organization of musical texture, in interaction
  of musical and literary texts and also in the general organization of compositions. The opposition
  of love and death (immemorial categories of human life) is the cornerstone of the dramaturgic
  organization of a cycle and typical for Ligeti’s vocal works “polyphony of meanings” is shown in
  the constant present genre and style game with the recipient. The composition intended for “The
  King’s singers” embodies diverse style hints, corresponding to the wide performing range of this
  ensemble and own musical interests of the composer. In this last vocal work by Ligeti also his
  love to literary world of Lewis Carroll with the atmosphere of absurdity, so conformable to the
  music world of the author of “Le Grand Macabre” was reflected.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The reported study was funded by RFBR according to the research project №16-04-50011.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: György Ligeti
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Arnold Schönberg
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Luigi Nono
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Lewis Carroll
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Fridrich Hölderlin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: choral music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: texture
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: vocal timbres
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: neomadrigalism
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Characteristics of Choral Writing in György Ligeti’s Late Works
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03-Ryzhinskiy.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/15160/1/03-Ryzhinskiy.pdf
resources.format: Adobe PDF
resources.size: 2,01 MB