title: Museum as an idealistic phenomenon
metadata.name: dc.contributor.author
metadata.value: Gerasimov, Grigoriy I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-30T10:16:51Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-30T10:16:51Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Gerasimov G.I. 2020. Museum as an idealistic phenomenon. The Issues of Museology 11 (1): 119–132.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2020.112
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19700
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article explains some of the fundamental problems of the museum as an ideological and
  cultural phenomenon from the theoretical positions of the idealistic approach. The author proceeds from the proposition that a human being is the main and only source of culture that
  he creates on the basis of a previously created idea embodied in a cultural object. One of the
  results of the ideological creative activity of human consciousness is the phenomenon of the
  museum. The modern museum was created by the ideas of the Age of Enlightenment. Each
  idea of a museum or the museum direction has a specific creator. These ideas determine the
  meaning and content of the museum. It is impossible to understand the museum, its contents
  and exposition without understanding of ideas on which museum based. The content of the
  ideas that create museums is closely connected with the prevailing worldview, as well as with
  individual ideological systems — ideologies. Changes in worldview paradigms leads to the inevitable reformatting of museums with a collapse of ideologies. The museum, like any human
  creation, belongs to the category of subjective-objective reality, which in its entirety exists only
  in conjunction with the human consciousness, creating and perceiving such an objectively
  existing reality. Without the man and outside of his consciousness, there is neither a museum
  nor a museum object. Museum reality gets its meaning, content, meaning and value only in
  the consciousness of a human being who created and perceived it. Studying a museum as a
  phenomenon, first of all it is necessary to study the man who created it and the man who perceives it. A human being, not a museum, should become the subject of museology as a science.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: museology
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: an idealistic approach to history
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: idealism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: museum
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: subjective-objective reality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: museum subject
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Museum as an idealistic phenomenon
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 119-132.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19700/1/119-132.pdf
resources.format: Adobe PDF
resources.size: 624,93 kB