title: Sources of Figurenlehren of the Baroque Era in Musicology of the German Language Space
metadata.name: dc.contributor.author
metadata.value: Maltseva, Anastasiya A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-09T18:18:27Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-09T18:18:27Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Maltseva, Anastasiya. “Sources of Figurenlehren of the Baroque Era in Musicology of the German Language Space”. Vestnik of Saint Petersburg University. Arts 13, no. 1 (2023): 40–61. https://doi.org/10.21638/spbu15.2023.103 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.103
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43652
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: It is hardly possible to immediately give an exact answer to the question: what is the exact
  number of authors of musical-theoretical treatises containing catalogs of musical-rhetorical
  figures. But very often the “recognized” number (with a fairly stable set of theoretical sources)
  is considered to be fifteen authors. How did scholars of the German language space gradually
  discover catalogs of musical figures in treatises and include them in scientific circulation? Is
  it possible to consider the “recognized” list of works of fifteen Baroque authors exhaustive?
  Why is he firmly entrenched in musicology? Which of the musicologists wanted to expand
  the range of treatises and on what grounds? This article is devoted to finding answers to these
  questions. As a result of the analysis of dictionary and scientific articles, books and dissertations
  by such authors as C. J. A. Hoffmann (1830), C. Kossmaly (1846), H. Gehrmann (1891),
  А. Schering (1908), K. Ziebler (1933), H. Brandes (1935), H. H. Unger (1941), A. Schmitz
  (1955), H. H. Eggebrecht (1957), D. Bartel (1985, 1997), W. Braun (1994), H. Krones (1997),
  J. Klassen (2001) and others, the following conclusion was made: the researchers did not have
  a common opinion in the selection of sources and their belonging to the discourse about
  Figurenlehren.
  The heterogeneity of figure catalogs, the presence of Manieren, diminution and
  late Renaissance rules of counterpoint in them are the main reasons for the potential openness
  of the list of treatises involved in the doctrine of figures. To explain the reasons for the
  formation of the “recognized” list of authors (largely due to the English edition of D. Bartel’s
  book) and a certain inertia of musicology in different countries in the issue of Figurenlehren
  sources in the current century, the article uses the research of scientists — representatives of
  American, Bulgarian, English, Israeli, Italian, Mexican, Polish, Russian musicology.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The paper was prepared as a part of a scientific project “Untersuchung der Notenbeispiele musikalisch-
  rhetorischer Figuren in ausgewählten Musiktraktaten des Barock” within the financial support by
  Gerda Henkel Stiftung.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: musical rhetoric
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical-rhetorical figures
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: doctrine of musical figures
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Figurenlehre
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Baroque era
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: treatise
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical-theoretical source
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musica poetica
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical historiography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: German musicology
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Sources of Figurenlehren of the Baroque Era in Musicology of the German Language Space
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43652/1/03.pdf
resources.format: Adobe PDF
resources.size: 736,22 kB