title: THE RHYME AND THE FORMULA IN POPULAR FAROESE POETRY
metadata.name: dc.contributor.author
metadata.value: Piotrovsky, Dmitry D.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-05-12T15:17:04Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-05-12T15:17:04Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-04
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288062353.26
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/36343
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The main means which organizes the verse in popular Faroese poetry is end rhyme.
  In four-line stanzas the rhyme connects the second and the fourth lines, in two-line
  ones both present lines. The Faroese rhyme is not strict. It is enough only to repeat the
  stressed vowel, the consonant following after might vary. The part of the word which
  follows the stressed vowel may undergo significant changes. The masculine ending
  sometimes rhymes with the feminine one. Even the stressed vowel might vary to
  some extent. The Faroese rhyme is often trivial. The ballads on the Faroese Isles were oral. So, some special formula technique was applied for their transition. The means
  of the formula technique are formulas and repetitions. The formulas are metrically
  conditioned reproducible word groups having the length of one line, meanwhile the
  repetitions are metrically non-conditioned sequences of different length. The formulas
  and repetitions, as well as they perform the same function of the building material
  for the oral poetic text, also possess the same structure. They both are composed
  from permanent end variable parts. In repetitions their entwinement takes different
  forms. They may follow one another, usually first comes the permanent part then the
  variable one. The permanent part sometimes occupies the second half of one stanza
  and then the first half of the following stanza. The permanent end variable parts
  might cross one another. In this case the permanent part occupies unpair lines and
  the variable part occupies pair ones. The distribution of these parts of both formulas
  and repetitions is tied to the rhyming places of the verse. The rhyming word is usually
  located in the variable part but sometimes it is found in the permanent part. This one
  more time proves that there is no impenetrable boundary between formulas and
  repetitions. Refs 8.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: St. Petersburg University Studies in Social Sciences & Humanities Vol. 2 Proceedings of 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019);Volume 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: rhyme
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: formula
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: repetition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Faroese ballads
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: oral poetry
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: THE RHYME AND THE FORMULA IN POPULAR FAROESE POETRY
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Book chapter
metadata.lang: en_GB
resources.filename: 419-430.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/36343/1/419-430.pdf
resources.format: Adobe PDF
resources.size: 749,2 kB