title: The absurd as the aesthetical “existentialia” of the postmodern subject
metadata.name: dc.contributor.author
metadata.value: Vorotilin, Alexander G.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2016-09-23T13:51:21Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2016-09-23T13:51:21Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2016-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Vorotilin A. G. The absurd as the aesthetical “existentialia” of the postmodern subject. Vestnik of Saint Petersburg University. Ser. 17. Philosophy. Conflict studies. Culture studies. Religious studies, 2016, issue 3, pp. 23–27.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu17.2016.303
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/3872
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article discusses functional and ontological aspects of the absurd in contemporary philosophical
  tradition. The renouncement of the position of a unified worldview with its mixing of different existential
  paradigms and escalating determination of the public consciousness by the irrational elements of
  European culture leads to the situation of a single mind’s principal inability to exhaustively understand
  present reality. The absence of noncontroversial relativity between the observable actuality’s structural
  elements, its principal “non-human dimensionality”, appropriately summons the necessity to produce
  the new practices of lost personal cognition in the universe`s substantial reconstruction. Featuring the
  peculiar “existentialia” of the human activity, the absurd pattern expands the essence of being as principally
  human. The interpretation of the absurd as a source of personal creative potentiality, as realized
  in the Albert Camus`s notion, opens wide perspectives in the comparative study of problematical issues
  in adjoining academic areas.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Series 17. Philosophy. Conflict Studies. Culture Studies. Religious Studies;Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: postmodern
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: irony
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: existentialia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: absurd
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: individuation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the aesthetic
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The absurd as the aesthetical “existentialia” of the postmodern subject
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: Vorotilin.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/3872/1/Vorotilin.pdf
resources.format: Adobe PDF
resources.size: 99,15 kB