title: POPULARITY OF STANISLAVSKY IN CHINA
metadata.name: dc.contributor.author
metadata.value: Dong, Xiao
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-03-04T19:14:35Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-03-04T19:14:35Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288063770.26
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/45057
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Konstantin Sergeevich Stanislavsky is the most influential theater director
  of the Soviet era in the first half of the 20th century. The system he created, which is
  based on the “art of experiencing”, had a profound impact on the performing arts of
  the 20th century. Since it was introduced into China in the 1940s, it has played a very
  important role in the development of contemporary Chinese drama performance art in
  the 1950–1960 years. In the 1960–1970, Stanislavsky was criticized in China. Since the
  late 1970s, although Stanislavsky has been vindicated in China, his importance has correspondingly
  weakened with the popularity of Brecht. It can be said that the encounter
  of Stanislavsky in China is a typical example, reflecting acceptance and interpretation
  of Russian Soviet literature and art in China. To some extent, this tendency obscures
  the real value of Russian Soviet literature and art. It is a problem worthy of reflection.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: St. Petersburg University Studies in Social Sciences & Humanities;Volume 5
metadata.lang: -
metadata.name: dc.subject
metadata.value: Stanislavsky
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Brecht
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Soviet-Russian art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chinese contemporary theatre
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: POPULARITY OF STANISLAVSKY IN CHINA
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 356-365.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/45057/1/356-365.pdf
resources.format: Adobe PDF
resources.size: 1,16 MB