title: The Pragmatics of Romanticism. Edmund Burke as Art Theorist
metadata.name: dc.contributor.author
metadata.value: Rykov, Anatoly V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-09T19:12:00Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-09T19:12:00Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Rykov, Anatoly. “The Pragmatics of Romanticism. Edmund Burke as Art Theorist”. Vestnik of Saint Petersburg University. Arts 13, no. 1 (2023): 207–217. https://doi.org/10.21638/spbu15.2023.110
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.110
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43659
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to the pragmatic aspects of Edmund Burke’s theory of art. The author
  identifies pragmatic components in the works of the British philosopher of various genres.
  The emphasis is on the interdisciplinary nature of Burke’s theory of art, which included artistic,
  psychological and political dimensions. The pragmatic dimension of Burke’s thought
  opens up a new field of research in the field of romantic aesthetics and art theory. The pragmatic
  romanticism of the British thinker complements our ideas about classical and modern
  art. His ideas shed new light on the development of Western European art from Baroque and
  classicism to avant-garde and postmodernism. At the same time, the problems of aesthetics,
  as well as the problems of power, are considered by Burke in a “psychoanalytic” and semiotic
  way, that is, without evaluation, and romantic special effects are subjected to objective analysis
  both in literature and art, and in politics. The pragmatic dimension allows us to redefine the
  role of Burke as the true founder of scientific art studies, who anticipated the most modern
  methods of analyzing artistic processes. The physiological, natural-scientific connotations of
  Burke’s work are also studied in the context of pragmatic strategies, as opposed to idealistic
  interpretations of the romantic theory of art.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Edmund Burke
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: pragmatism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: romanticism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: modernism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: theory of art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: aesthetics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: category of the sublime
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The Pragmatics of Romanticism. Edmund Burke as Art Theorist
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 10.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43659/1/10.pdf
resources.format: Adobe PDF
resources.size: 620,71 kB