title: Participatory technologies as a new challenge to theoretical museology
metadata.name: dc.contributor.author
metadata.value: Smirnov, Aleksey V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-03-20T12:10:36Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-03-20T12:10:36Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Smirnov A. V. Participatory technologies as a new challenge to theoretical museology. The Issues of Museology, 10 (2), 153–160.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https//doi.org/10.21638/11701/spbu27.2019.202
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/17260
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: At the end of the twentieth century, the new principles of organizing museum activities led to
  the appearance of the so-called participatory museums (museums of complicity). These institutions
  were called upon to solve new problems, which provoked discussions about the role
  of the museum in society. The article outlines the scientific problems that theoretical museology
  needs to solve when introducing participatory technologies in the activities of modern
  museums. Among these problems is the analysis of the essence of the museum as a socially
  significant institution. It is also necessary to describe the new structure of museum communication,
  which will be formed during the implementation of participatory technologies. The
  activities of museums of complicity are analyzed using examples given in Nina Simon’s book
  “The Participatory Museum,” which summarizes the experience of using these technologies
  in museum activities of the late 20th — early 21st centuries. The author of the article highlights
  a number of points that have become an essential part of modern cultural management, such
  as the need for marketing analysis of promising museum projects, expert assessment of their
  socio-political potential, as well as the formation of a new behavioral model of a visitor to
  a participatory museum. According to the author, the use of participatory technologies in
  museum work is caused both by the museum’s desire to actively engage in the life of the local
  community (which is characteristic of small museums), and by cultural and political trends
  that require the museum to actively engage in the formation of a new social experience, which
  is not limited to aesthetic experiences and assimilation of scientific information.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 10; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: museum technologies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: participatory museum
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: museum of complicity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: new museology
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: modern museum
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Participatory technologies as a new challenge to theoretical museology
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 153-160.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/17260/1/153-160.pdf
resources.format: Adobe PDF
resources.size: 603,1 kB