title: Poet Sogi’s Journey to Shirakawa Barrier
metadata.name: dc.contributor.author
metadata.value: Breslavets, Tatiana I.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Kuzhel’, Yuriy L.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-09-21T15:13:45Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-09-21T15:13:45Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Breslavets T. I., Kuzhel’ Yu. L. Poet Sogi’s Journey to Shirakawa Barrier. Vestnik of Saint Petersburg University. Asian and African Studies, 2023, vol. 15, issue 2, pp. 253–274. https://doi.org/10.21638/spbu13.2023.203 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu13.2023.203
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43982
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The diary of the Japanese poet Sogi (1421–1502) “Shirakawa kiko” (“Journey to the Shirakawa
  Barrier”, 1468) is analyzed. The sacred place, sung in the lyrics of the past, is the beginning of
  the song (utamakura). The diary is divided into two parts. This is the result of the development
  of the genre in the art of renga (connected stanzas) poets. The subject of the study is the
  prose part. It reveals an increased suggestiveness (yojo) of artistic speech. In the reminiscent
  variety, a picture of intertextual discourse is formed, the significance of the literary tradition
  is revealed. It makes up the latent layer of the text, covering the entire narrative. The essay is
  considered as a memoir diary, it is dominated by emotional content (aware), dating back to
  the cult of feelings of the aristocratic era. In the chronotope of the diary, a plexus of times and
  spaces is found, creating an illusory vision of reality as a reflection of the poet’s Zen consciousness.
  The journey remains unfinished, affirming the infinity of the path and recalling the rotation
  of the wheel of samsara — the cycle of life and death. The path in the illusory, changeable
  world affirms the idea of mortal existence (mujo), which has become the fundamental Zen
  Buddhist concept of the diary.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Asian and African Studies;Volume 15; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: medieval Japanese literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: poet Sogi
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: travel diary
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Shirakawa barrier
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: intertextual discourse
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: allusive
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Poet Sogi’s Journey to Shirakawa Barrier
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43982/1/03.pdf
resources.format: Adobe PDF
resources.size: 1,03 MB