title: Partimento as a research object in the 21st century musicology
metadata.name: dc.contributor.author
metadata.value: Mityukova, Zalina Z.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-06-22T12:38:38Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-06-22T12:38:38Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Mityukova Z. Z. Partimento as a research object in the 21st century musicology. Vestnik of Saint Petersburg University. Arts, 2018, vol. 8, issue 2, pp. 179–194.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2018.202
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/10331
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In the 18th century, the Italian clavier tradition of partimento was widespread in Europe. It
  is being considered as a research object only from the end of the 20th century, and nowadays
  it is being explored by scholars from the various countries. Despite the ongoing increase in
  the number of publications on the partimento, its general idea is still ambiguous because of
  the complexity of the practice. Today the existence of its different interpretations (from the
  hyperbolization of its significance in the music of the eighteenth century to its denial) calls
  for the need to turn to the features of the scientific reception of partimento. In the works of
  the researchers, the practice is shown from the various aspects. The main discrepancies are
  related to the comprehension of the problem of the phenomenon of partimento. They extend
  from the discussion of the etymology to the comprehension of the peculiarities of the practice:
  the correlation of its instructive and artistic nature; features of improvised and composed
  music; its connection with basso continuo. The article highlights the most controversial issues
  connected with the understanding of the partimento.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: partimento
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: improvisation
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: basso continuo
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: clavier music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: music pedagogy of the 18th century
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Italian music of the 18th century
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Partimento as a research object in the 21st century musicology
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 02-Mityukova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/10331/1/02-Mityukova.pdf
resources.format: Adobe PDF
resources.size: 680,22 kB