title: Themes of gospel and nativity in Icelandic biblical paraphrase
metadata.name: dc.contributor.author
metadata.value: Ogurechnikova, Nataliia L.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-09-29T11:30:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-09-29T11:30:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ogurechnikova N. L. Themes of gospel and nativity in Icelandic biblical paraphrase. Vestnik of Saint Petersburg University. Language and Literature. 2022, 19 (2): 253–271. https://doi.org/10.21638/spbu09.2022.203 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2022.203
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/37974
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article examines stanzas 27–33 from “Lilja”, an Icelandic biblical paraphrase written in
  the form of skaldic drapa and dating from the first half of the XIV c. The subject of the article
  is the sources of these stanzas and the nature of the skald’s work with the sources. Comparative
  textual analysis, which is the main method of work, has shown that the skald borrowed
  the general idea of the text from the Bible of Herman de Valenciennes, and stanzas 27–33,
  where the theme of the Gospel sounds, are an adaptation of a fragment from “Conception
  Nostre Dame” (“The Conception of the Virgin”) by Wace (lines 783–864). Analysis of the
  forms of speech and narrative strategies in stanzas 27–33 has shown their convergence with
  the forms of speech characteristic of “The Elder Edda” and the use of eddic narrative strategies
  by the skald. The noted interaction of the eddic and the skaldic traditions in «Lilja» suggests
  reconsideration of the traditional classification of the text as a skaldic work, despite the form
  of skaldic drapa and its semantic aureole. “Lilja” is regarded in the paper as a poetic biblical paraphrase born as a result of adaptation of the continental tradition of vernacular theology
  to the verbal culture of Iceland, i. e. as a manifestation of a new function of the art of poetry.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 19; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Icelandic biblical paraphrase
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Marian Bibles
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: vernacular theology
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: skaldic poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: narrative strategies
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Themes of gospel and nativity in Icelandic biblical paraphrase
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/37974/1/03.pdf
resources.format: Adobe PDF
resources.size: 740,76 kB