title: The unfulfilled museum collection of works by G. S. Vereiskiy: The artist’s autobiography as a key to his creative heritage
metadata.name: dc.contributor.author
metadata.value: Vakhromeeva, Oksana B.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-08-24T14:43:52Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-08-24T14:43:52Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Vakhromeeva O. B. 2021. The unfulfilled museum collection of works by G. S. Vereiskiy: The artist’s autobiography as a key to his creative heritage. The Issues of Museology, 12 (1): 94–107.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu27.2021.110
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/32904
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In 2021, the 135th anniversary of George Semenovich Vereiskiy (1886–1962) was celebrated.
  Vereiskiy was a talented, methodical, and self-disciplined artist who focused on the subject of
  his work. He was a member of the “World of Art” association, curator of the State Hermitage’s
  Department of Engravings, teacher of painting, laureate of the second degree of the Stalin
  Prize (1946), People’s Artist of the RSFSR (1962), honored worker of the arts, and member
  of the Academy of Arts. Vereiskiy was involved in various forms of art, especially drawing
  and painting. He worked in many genres (portrait, landscape, interior, still life, residential
  and industrial genres). In his drawings and lithographs in the 1920–30s, he was a pioneer of
  industrial themes. The main source of his work was love for Russian nature (his landscapes are
  imbued with a soft lyricism). His clarity of perception of the surrounding reality and high civil
  position enabled him to make the most important aspect of art — a portrait. Without exaggeration,
  it can be argued that Vereiskiy for more than half a century created a large portrait
  gallery of his contemporaries, from science and artists to the Knights of St. George from the
  First World War and military officials of World War II (1941–1945). Vereiskiy’s artistic heritage
  is very extensive and it is still waiting for its explorer. This article was created in order to
  establish a precursor for the study of the artist’s creative heritage, fragmentarily concentrated
  in a number of museum collections, which are discussed below. The reference point to the
  artist’s creative heritage is his autobiography, which the article introduces into scientific circulation
  for the first time.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 12; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: G. S. Vereiskiy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: autobiography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: graphics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: creativity
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The unfulfilled museum collection of works by G. S. Vereiskiy: The artist’s autobiography as a key to his creative heritage
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 94-107.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/32904/1/94-107.pdf
resources.format: Adobe PDF
resources.size: 643,12 kB