title: Media policies and aesthetics
metadata.name: dc.contributor.author
metadata.value: Savchuk, Valery V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-12-21T14:19:15Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-12-21T14:19:15Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Savchuk V. V. Media policies and aesthetics. Vestnik of Saint Petersburg University. Philosophy and Conflict Studies, 2018, vol. 34, issue 4, pp. 585–596.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/spbu17.2018.411
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/15197
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article suggests comparative analysis of the transformation of the aesthetic approach in
  the era of the medial turn. How does the object of aesthetics change, what are its principles
  and methods? How does media-analytics affect the traditional aesthetic analysis and its subject’s
  theming? For this purpose, the author examines two extreme positions of the apology of
  aesthetics and its radical criticism. The principal feature of the media analysis stands out, to
  which a value-neutral judgment, formality and emotional indifference are inherent. Aesthetics,
  however, retain the productivity of its evaluation resource. Media has its own interests and
  its own approaches to pursue them. In this case the media relies on the aesthetics resource.
  However, the role of aesthetics in obtaining the media power is explored insufficiently. The
  analysis of relationship between media policies and aesthetic regime will allow to define the
  media’s own specific policies aimed at self-determination and self-justification, as well as the
  new horizons of aesthetics. Aesthetics has its own policy. An acute question is raised about
  the sphere that is not given to aesthetics, on which it cannot draw a network of its categories,
  which again indicates the irrevocability of out-of-aesthetic experience. And on the contrary,
  what is brought under the category of aesthetic loses its modus of relevance, turning into a
  normative regime of art or a legitimate page in the history of culture. The regularity is noticed,
  the more slender is the history of aesthetics and the clearer are its foundations and criteria of self-reflection, the stronger is the will to block its true resource. In other words, the will to
  history, constructed on the basis of the principles of its self-description remaining in the last
  century, leads to the stagnation of aesthetics.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The research has been performed within the grant of Russian Foundation for Basic Research
  № 18-011-00414 A «Media policy».
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Philosophy and Conflict Studies;Volume 34; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: media
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: aesthetics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: policies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: judgment
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: performance
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: contemporary art
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Media policies and aesthetics
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 11-Savchuk.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/15197/1/11-Savchuk.pdf
resources.format: Adobe PDF
resources.size: 669,1 kB