title: TIME AND ITS INDETERMINACY IN ROMAN INGARDEN’S CONCEPT OF THE LITERARY WORK OF ART
metadata.name: dc.contributor.author
metadata.value: ELSBY, CHARLENE
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-12-09T18:29:00Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-12-09T18:29:00Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: ELSBY C. TIME AND ITS INDETERMINACY IN ROMAN INGARDEN’S CONCEPT OF THE LITERARY WORK OF ART. Horizon. Studies in Phenomenology, 2020, vol. 9, issue 2, pp. 729–748.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/2226-5260-2020-9-2-729-748
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/21411
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The time of the literary work of art is a schematized aspect of the represented objectivities of the literary
  work. Roman Ingarden’s analysis of the time of the literary work extends upon Husserl’s phenomenology of time consciousness but nevertheless remains consistent with it, insofar as within a literary work
  as well as actuality, an objective time or literary objective time is constituted from an experience of temporal objects (or in the case of the work of art, represented objectivities). The time of the literary work
  of art is experienced through its represented objectivities and depends on an already existent concept
  of objective time. (We conceive of the time of the literary work of art as a variant of actual time.) The
  time of the literary work, however, gains an indeterminacy, as the author of the literary work is able to
  manipulate our experience of time within the literary work by predicting how the reader will concretize its events, characters, and objects with respect to time. I use Alain Robbe-Grillet’s representation
  of the centipede in La Jalousie as an example of the possible manipulations of time, explicable through
  Ingarden’s analysis of time in the literary work of art.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Horizon. Studies in Phenomenology;Volume 9; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Ingarden
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: indeterminacy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: time consciousness
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: schematized aspects
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: concretization
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: TIME AND ITS INDETERMINACY IN ROMAN INGARDEN’S CONCEPT OF THE LITERARY WORK OF ART
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 729-748.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/21411/1/729-748.pdf
resources.format: Adobe PDF
resources.size: 632,57 kB