title: MEDIEVAL MONGOLO-CHINESE LITERARY RELATIONSHIPS
metadata.name: dc.contributor.author
metadata.value: Baldanmaksarova, Elizabeth
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-03-04T19:49:36Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-03-04T19:49:36Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288063770.32
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/45063
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to the study of Mongolian-Chinese literary relations
  during the Middle Ages. The literary process of medieval Mongolia is characterized by
  the development in a wide context of literary and cultural relationships with the literatures
  of Central Asia, South Siberia and the Far East, which was due to both the
  geographical location and the socio-political situation of the country, starting from the
  13th century. When studying the problems of Mongolian-Chinese relations, it is important
  for us to consider the creative synthesis of two neighboring cultures, which
  stimulates the development and mutual enrichment of literary and folklore traditions.
  Mongolian-Chinese literary relations are characterized by development in two stages.
  The first stage is associated with the formation of the Yuan dynasty of the Mongols
  in China (1271–1368). It was during this period that the foundations were laid for the
  unification, synthesis of two different cultures within the framework of one state and
  the further development of the process of historical and cultural relations. The second
  stage is characterized by the entry of Mongolia into the Manchu Qing Dynasty of China
  (1644–1911). It was during this period that the synthesis of the Mongolian-Chinese folklore
  and literary traditions reached its apogee: a new genre appeared called “book tale”
  (bensen uliger); numerous translations of Chinese narrative prose, in particular novels,
  lead to the creation of the genre of the novel — historical, family and everyday — in
  Mongolian literature. A notable achievement in this genre was the work of the outstanding
  writer, the first Mongolian author of novels, V. Injannash.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: St. Petersburg University Studies in Social Sciences & Humanities;Volume 5
metadata.lang: -
metadata.name: dc.subject
metadata.value: literary connections in the Middle Ages
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: China
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Mongolia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: genre bensen uliger
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: novel
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: V. Injannash
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: MEDIEVAL MONGOLO-CHINESE LITERARY RELATIONSHIPS
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 447-457.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/45063/1/447-457.pdf
resources.format: Adobe PDF
resources.size: 1,21 MB