title: On the history of studying of medieval Armenian fresco painting
metadata.name: dc.contributor.author
metadata.value: Drampian, Irina R.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-06-22T12:46:52Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-06-22T12:46:52Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Drampian I. R. On the history of studying of medieval Armenian fresco painting. Vestnik of Saint Petersburg University. Arts, 2018, vol. 8, issue 2, pp. 232–257.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2018.205
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/10334
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The history of studying of Armenian medieval monumental painting, which covers the only
  one 20th century, is being analyzed in the article. Researchers of this important branch of the
  fine arts of Armenia were started comparatively late. The reasons which have been indicated
  were historical and political circumstances in the country, which for many centuries had been deprived of statehood; a fragmentary state of preservation of the artistic material; and as well
  as an erroneous ideas about the negative attitude of the Armenian Church to the images,
  which had coming from the Middle Ages. This errancy is existing in the modern times, even
  in the scientific community. The author traces the main stages in the study of the Armenian
  wall painting: from the first works of the Ani archaeological campaigns participants, on the
  borderline of the 19th and 20th centuries — to the activities of three outstanding scientists —
  L. A. Durnovo (1885–1963), S. Der Nersessian (1896–1989) and N. G. Kotanjyan (1928–2013).
  The history of art owes these people the existence of a holistic view of the medieval monumental
  painting of Armenia. Profound study of both the frescoes themselves and the medieval
  written sources related to them gave the possibility to these scientists to demonstrate the main
  development ways of Armenian mural painting, to reveal the artistic directions and peculiar
  national features of it; to determine the features of decorative programs and iconographic
  options, as well as the specific properties of Armenian prime coating under the murals and
  frescoes painting technique. The contribution of each of these scientists to the study of the
  monumental painting of medieval Armenia has been individually estimated.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 8; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: a monumental painting of medieval Armenia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Armenian Church
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: L. A. Durnovo
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: S. Der Nersessian
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: N. G. Kotanjyan
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: On the history of studying of medieval Armenian fresco painting
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 05-Drampyan.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/10334/1/05-Drampyan.pdf
resources.format: Adobe PDF
resources.size: 32,32 MB