title: Jensens ekphrasis in “The King’s Fall” as “interference”
metadata.name: dc.contributor.author
metadata.value: Lomagina, Anastasia
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-01-31T12:19:14Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-01-31T12:19:14Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Lomagina A. Johannes V. Jensens ekphrasis in “The King’s Fall” as “interference”. Scandinavian Philology, 2022, vol. 20, issue 2, pp. 346–356. (In Danish)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu21.2022.208
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/38931
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article analyzes an example of ekphrasis from the novel “The King’s Fall”
  (1901) by Danish Nobel prize-winner Johannes V. Jensen as a space of interaction between
  visualization strategy and rhythmic organization of prose. The idea of “interference”
  as a principle of mutual influence of waves in Physics is dear to the writer at this
  early stage of his career and is present in the title of the poem in prose from 1901. His
  turn-of-the-century poems and prose often combine high and low, emptiness and fullness,
  and different kinds of media. As a historical novel describing the epoch of the 16th
  century, “The King’s Fall” borrows the pictorial features and structural principles of
  Baroque painting as well as the essential ideas of the epoch’s memento mori, reflected
  in the paintings of H. Holbein, P. Bruegel the elder and still-lifes of Flemish and Dutch
  masters from the Vanitas series. The ekphrasis under consideration is presented as a
  piece of memory unfolding before the eyes of an observer, as a painting from the epoch
  with its frame, light, perspective, horizon line, colours and viewer. Furthermore, thanks
  to rhythmicity, repeated syntactic, lexical groups and alliteration, the focus shifts to the
  creative act, betraying the presence of the creator and the narrator.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: other
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Scandinavian Philology;Volume 20; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Johannes V. Jensen
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ekphrasis
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: The King’s Fall
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Danish Modernism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Baroque
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Vanitas
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Jensens ekphrasis in “The King’s Fall” as “interference”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 346-356.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/38931/1/346-356.pdf
resources.format: Adobe PDF
resources.size: 679,29 kB