title: ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)
metadata.name: dc.contributor.author
metadata.value: Koblenkova, Diana V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-11-09T15:28:03Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-11-09T15:28:03Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023
metadata.lang: -
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/9785288063576
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/44368
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article deals with satirical tendencies in Swedish literature and cinema of the end
  of the 20th — beginning of the 21st century. On the example of the book by C.-J. Vallgren
  “This is for you for a brochure, Mr. Bachmann” and R. Östlund’s paintings “Turist” (“Force
  Majeure”), “Voluntarily-compulsory”, “The Square” and “Triangle of Sadness”, the main
  problems of Swedish society are analyzed, which are becoming pan-European scale. The
  paper concludes that both authors consider the most significant problems to be the disappearance
  of independent thinking, the distortion of ethical principles, the fear of losing
  personal well-being against the backdrop of growing ethnic and class contradictions in Europe, indicating the beginning of a new socio-political stage in society. Comprehending
  European double standards, hypocrisy, ostentatious political correctness, the authors
  testify that European society is turning into a refined capitalist minority that has lost
  its main value orientation — Christian humanism. The poetics of the literary and cinematographic
  works of Vallgren and Östlund differ significantly from the methods of their
  predecessors: modern authors abandon the satirical principles of secondary convention,
  allowing themselves only slight exaggeration. This testifies to the desire for journalism,
  documentary depiction, the movement from fiction to non-fiction, to the understanding
  of the historical context and socio-political perspective.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: St. Petersburg University Studies in Social Sciences & Humanities;Volume 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Swedish literature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: swedish cinema
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: satire
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ethics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Vallgren
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Östlund
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: ON SOME TRENDS IN THE SATIRICAL LITERATURE AND CINEMATOGRAPHY OF SWEDEN AT THE END OF THE 20TH — BEGINNING OF THE 21ST CENTURY (C.-J. VALLGREN AND R. ÖSTLUND)
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 103-109.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/44368/1/103-109.pdf
resources.format: Adobe PDF
resources.size: 642,33 kB