title: Fedoskino lacquer miniatures created by examples of the Moscow Handicraft Museum (1910s–1930s years)
metadata.name: dc.contributor.author
metadata.value: Lavrov, Dmitrii E.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-30T09:41:07Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-30T09:41:07Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Lavrov D.E. 2020. Fedoskino lacquer miniatures created by examples of the Moscow Handicraft Museum (1910s–1930s years). The Issues of Museology 11 (1): 38–49.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2020.104
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19691
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article analyses the practice of scientific, artistic and ideological leadership of Moscow
  organizations in Russian folk art in the Soviet period using the example of the leadership of
  one of the centres for the production of Russian lacquer miniatures — the Fedoskino lacquer
  craft — from the side of the Moscow Handicraft Museum. The author of the article focuses on
  the policy of the Moscow Handicraft Museum, which was carried out during the first half of
  the 20th century, on introducing drawings created by city professional artists specifically for
  the Fedoskino master miniaturist into the lacquer miniature products of Fedoskino. The negative impact of such a policy on the development of the Fedoskino lacquer miniature, the reasons for the existence of such an external leadership, as well as the ways to overcome it along
  which the workers of the Fedoskino lacquer industry during the Soviet period, are revealed.
  The bibliography on this issue is examined in detail, various points of view and the argumentation of the relevant sides on such leadership in the lacquer industry are analysed. The purpose
  of the article is to show the process of gradual change — from the widespread at the beginning
  of the 20th century attitude to Fedoskino miniaturists as handicraftsmen-copyists, to their
  recognition as full-fledged creators, equal with urban professional artists, who prevailed in
  the mid-1950s. The author of the article concludes that the practice of imposing other people’s
  decisions and opinions on the side of the Fedoskino lacquer industry by external museum
  organizations, of course, to some extent enriched the experience of the miniature painter,
  ultimately only proved the validity of his own creative approach in the field of art creation.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Fedoskino
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Russian lacquer miniature
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the Handicraft Museum
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: art management
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the Fedoskino labour artel
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Fedoskino lacquer miniatures created by examples of the Moscow Handicraft Museum (1910s–1930s years)
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 38-49.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19691/1/38-49.pdf
resources.format: Adobe PDF
resources.size: 618,66 kB