title: Evolution of Kazakhstan’s still life based on examples from the collection of the Kasteyev State Museum of Arts of the Republic of Kazakhstan
metadata.name: dc.contributor.author
metadata.value: Reznikova, Yekaterina I.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-02-09T16:50:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-02-09T16:50:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Reznikova Ye. I. 2021. Evolution of Kazakhstan’s still life based on examples from the collection of the Kasteyev State Museum of Arts of the Republic of Kazakhstan. The Issues of Museology 12 (2): 238–256.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu27.2021.207
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/34808
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article explores the phenomenon of Kazakhstan’s still life as exemplified by selected paintings
  from the collection of the Kasteyev State Museum of Arts of the Republic of Kazakhstan.
  It reviews works by several generations of painters, from the inception of the professional
  school of painting in Kazakhstan to date. Without claiming to provide a comprehensive
  overview of the painters who consistently developed still life, the article attempts to identify
  key philosophical and stylistic tendencies in this specific genre from a historical perspective.
  Studying the evolution of still life in Kazakhstan’s art based on the nation’s largest art collection
  is an opportunity to outline the main milestones in the development of the national school
  of painting and discover its greatest painters. The article reviews works by Kazakhstan’s most
  prominent artists, including the founder of the national school of painting Abylkhan Kasteyev
  whose name was given to the museum in 1984; national artists from the 1950s Aisha Galimbayeva
  and Gulfairus Ismailova; the 1960s’ Togbolat Togysbayev, Ivan Bondarenko, and Aria
  Shkolny; the 1970s’ Kenzhebay Duisenbayev; and some contemporaries. It also touches upon
  the development of the museum’s collection based on the example of one of its largest sections.
  The number of works included in the collection and its high artistic value makes the Kasteyev
  State Museum of Arts the country’s largest and oldest collection, with a history of more than
  85 years.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 12; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: national still life
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: evolution of the genre
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Kazakhstan’s painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: objects
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: object and spatial relations
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: color and form
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Evolution of Kazakhstan’s still life based on examples from the collection of the Kasteyev State Museum of Arts of the Republic of Kazakhstan
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 238-256.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/34808/1/238-256.pdf
resources.format: Adobe PDF
resources.size: 14,72 MB