title: Performing Ornaments in English Harpsichord Music. Part I
metadata.name: dc.contributor.author
metadata.value: Panov, Alexey A.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Rosanoff, Ivan V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-10-12T11:28:30Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-10-12T11:28:30Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Panov, Alexey, and Ivan Rosanoff. “Performing Ornaments in English Harpsichord Music. Part I”. Vestnik of Saint Petersburg University. Arts 11, no. 3 (2021): 381–392.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2021.302
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/33278
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article deals with the problems of interpreting English ornaments (embellishments, graces)
  of the second half of the 17th century in the process of their evolution. The authors consistently
  analyze the recommendations of the early English musicians Edward Bevin, Christopher
  Simpson, Matthew Locke, John Playford, and Henry Purcell. Emphasis in this study is allotted
  to the first ever published in England full table of ornaments with their execution written
  by Christopher Simpson in his The Division-Violist (London, 1659). Detailed consideration
  here is given to the ornament named “Shaked Beat”. It should be noted that the first full table
  “Marques des Agréments et leur signification” in France was enclosed only in D’Anglebert’s
  Pièces de Clavecin (c1689). For comparison, recommendations of the performance of ornaments
  are provided by some Italian, German and French composers and theorists of this time,
  such as Emilio del Cavalieri, Guillaume-Gabriel Nivers, Jean Rousseau, Gilles Jullien, Étienne
  Loulié and Johann Gottfried Walther. A critical revision of scholarly publications on the problems
  of this study beginning from Edward Dannreuther and Arnold Dolmetsch to the present
  time has been carried out. Serious inaccuracies were found in the works of modern researchers
  and in reference and encyclopedic publications, including The New Grove Dictionary of
  Music and Musicians and Die Musik in Geschichte und Gegenwart.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 11; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: English ornaments
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Edward Bevin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Christopher Simpson
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Matthew Locke
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: John Playford
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Henry Purcell
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Performing Ornaments in English Harpsichord Music. Part I
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 381-392.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/33278/1/381-392.pdf
resources.format: Adobe PDF
resources.size: 2,4 MB