title: Thing in history
metadata.name: dc.contributor.author
metadata.value: Mitrovich, Miroslav
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2019-08-29T12:38:58Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2019-08-29T12:38:58Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Mitrovich M. Thing in history. Studia Slavica et Balcanica Petropolitana, 2019, vol. 1 (25), pp. 3–22.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu19.2019.101
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16214
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: At the end of the 20th – the beginning of the 21th century one of the objectified symbols of
  the Serbian national culture has become the folk musical instrument – the gusle. Trying to understand the
  phenomenon of this instrument and its spiritual component, the author of the article focuses on the historical
  conditions of its existence, trying to establish the area of its distribution and its role in the spiritual values
  dissementation. The article, in particular, points to the inseparable connection of the gusle with the epic
  heritage and the figure of its performer .The paper examines the main theories of the origin and genesis of the
  gusle, traces the various stages of the development of the associated performing tradition and its development
  in the Modern and the Contemporary Times. The author pays special attention to the multifunctional
  significance of the gusle in culture, including their role in preserving historical memory, shaping the national
  idea, preserving family values and ethnic self-consciousness. The peculiarity of this musical instrument to
  express the collective reflection of the ethnic community on historical events of a crucial natureis highlighted.
  At the same time, it is noted that the gusle represent a cultural phenomenon associated with the traditions
  of many Balkan peoples, as evidenced by the variability of this instrument, traced through the collections
  of musical instruments of the Ethnographic Museum in Belgrade. This circumstance leads the author to the
  conclusion that the observed in recent years tendency to assign “national rights” to this or that type of musical
  instrument by countries formed after the breakup of Yugoslavia is generally a fallacy.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Studia Slavica et Balcanica Petropolitana;Volume 1 (25)
metadata.lang: -
metadata.name: dc.subject
metadata.value: folk instrument
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: gusle
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: guslar
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: epic poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: historical memory
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: tradition
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Thing in history
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 3-22.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16214/1/3-22.pdf
resources.format: Adobe PDF
resources.size: 4,03 MB