title: Literary parallels to one Novgorod inscription of the 12th century
metadata.name: dc.contributor.author
metadata.value: Rozhdestvenskaia, Milena V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2021-09-03T19:44:03Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2021-09-03T19:44:03Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Rozhdestvenskaia M. V. Literary parallels to one Novgorod inscription of the 12th century. Vestnik of Saint Petersburg University. Language and Literature. 2021, 18 (1): 138–146.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2021.108
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/33062
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article cites new literary parallels to a graffiti inscription of the 12th century about the
  death of Prince Vsevolod-Gabriel, found on the wall of the Church of the Annunciation on the
  Settlement in Veliky Novgorod as a result of archeological and work by Vladimir Sedov in the
  summer of 2016–2017. This inscription is a traditional genre of annalistic news of the death
  of the Old Russian princes. They usually use the expression “weeping and sobbing”, “weeping
  and longing / sorrow”, in different versions, to refer to the crying and tears of the prince’s
  squad and relatives. In the inscription under consideration, it refers to the weeping of the
  squad for the deceased Prince Vsevolod Mstislavich. The author of the article adds a number
  of other literary parallels to the literary sources noted by the publishers and interpreters of the
  Annunciation inscription. Especially important for expanding the literary context is the old
  Russian apocryphal “Homilia for the Resurrection of Lazarus” at the end of the 12th — beginning
  of the 13th centuries”. An important episode in it is the weeping — the prayer of Adam
  in Hell, where he turns to Christ. The theme of weeping in the inscription on the wall of the
  Church of the Annunciation and in the “Homilia on the Resurrection of Lazarus” is expressed
  in similar words and phrases. The examples of similar expressions and formulas presented here allow us to expand the literary context of the Annunciation inscription about the death
  of Prince Vsevolod Mstislavich.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 18; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: inscription
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: death
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: prince
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: weeping
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: formulization
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Literary parallels to one Novgorod inscription of the 12th century
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 138-146.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/33062/1/138-146.pdf
resources.format: Adobe PDF
resources.size: 723,11 kB