title: Multimodal metaphors in the Early Modern time
metadata.name: dc.contributor.author
metadata.value: Bychkov, Sergey S.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-13T13:49:34Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-13T13:49:34Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Bychkov S. S. Multimodal metaphors in the Early Modern time. German Philology in St Petersburg State University, 2022, iss. 12, pp. 378–389. https://doi.org/10.21638/spbu33.2022.119 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu33.2022.119
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39100
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This article discusses the approaches to the phenomenon of multimodality in the
  works of Russian and foreign linguists. Examples are given of studies of multimodality
  on the material of modern texts, as well as on the historical material. Despite a certain
  consolidation of approaches to multimodality, the terms “mode” and “modality” still
  require clarification. The study of multimodality opens new perspectives for analyzing
  conceptual metaphors. This article examines the essence of multimodal metaphor and
  how it differs from monomodal metaphor. On the example of several Early Modern
  multimodal metaphors we illustrate the influence of the social and cultural context,
  the specificity of the process of metaphorization, historical continuity and the universal
  nature of the conceptual metaphor. These theoretical positions are illustrated on
  the example of the metaphor “the world is a theatre”, which dominated the worldview
  paradigm of the 15th–18th centuries. Three aspects of the metaphor of theatre are described
  — structural, ontological and performative aspect. A special manifestation of
  this metaphor is the tradition of naming non-fiction texts of various topics with the
  Latin lexeme theatrum or its equivalents in the national languages. The diversity of
  manifestations of the metaphor “the world is a theatre” in different modes raises the
  question of the need to consider this phenomenon as a blended space in which individual
  realizations of the metaphor form a special conceptual unity, complementing
  each other and exerting mutual influence. In conclusion, we state that the analysis of
  conceptual metaphor from the perspective of multimodality is productive and outline
  the difficulties that arise when studying the conceptual metaphors from distant periods.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: German Philology in St Petersburg State University;Issue 12
metadata.lang: -
metadata.name: dc.subject
metadata.value: multimodality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: multimodal metaphor
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: monomodal metaphor
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: conceptual metaphor
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: theatre metaphor
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Multimodal metaphors in the Early Modern time
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 378-389.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39100/1/378-389.pdf
resources.format: Adobe PDF
resources.size: 624,86 kB