title: Reception of the Notre Dame School’s Conductus in the early French Ars Nova: For the 700th Anniversary of the Manuscript F‑Pn fr. 146
metadata.name: dc.contributor.author
metadata.value: Girfanova, Marina E.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2019-12-12T09:56:04Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2019-12-12T09:56:04Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Girfanova, Marina. “Reception of the Notre Dame School’s Conductus in the early French Ars Nova: For the 700th Anniversary of the Manuscript F‑Pn fr. 146”. Vestnik of Saint Petersburg University. Arts 9, no. 3 (2019): 453–481.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2019.302
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16811
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: An extended edition of the poem “Roman de Fauvel” by Gervais du Bus, made by Chaillou de
  Pesstain and completed in 1317–1318, includes 169 musical numbers, of which 30 are based
  on the Notre Dame school’s conductus. This is the most extensive reception of the conductus
  in the notated sources of the beginning of the 14th century. The article reveals the reasons for
  the appeal of “Roman de Fauvel”, a satirical allegory of contemporary political and church
  life in France, to the conductus. Most of the pieces are monophonic and attributed to the
  “prosa” genre by the compilers of the manuscript. On the example of two proses, the author
  of the article traces the transformations that took place in relation to the primary conductus,
  preserved in earlier manuscripts. Monophonic pieces, in which the conductus is used, fit into
  the general development trends of the conductus genre at the end of the 13th–beginning of the
  14th century. Five compositions are polyphonic; they are designated as “motez” by the authors
  of the manuscript. Almost all of them reveal the influence of the conductus genre: at the level
  of a single party, and in a number of the motets — at the level of the composition. The sign of
  belonging to the “Roman de Fauvel” becomes the “fauvelization” of many conductus, which
  consists in adding (or re-writing) poetic lines linking the content of Notre Dame school’s conductus
  texts to the central figure of the novel, Fouvel, and thereby updating them.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of Saint Petersburg University. Arts;Volume 9; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: manuscript F‑Pn fr. 146
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Roman de Fauvel
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Gervais du Bus
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chaillou de Pesstain
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: conductus
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: motet
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: prosa
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: rhythmic modes
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ars nova
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: the cantus firmus elaboration
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Reception of the Notre Dame School’s Conductus in the early French Ars Nova: For the 700th Anniversary of the Manuscript F‑Pn fr. 146
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 453-481.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16811/1/453-481.pdf
resources.format: Adobe PDF
resources.size: 6,63 MB