title: Entertaining and glam strategies in film discourse of print media
metadata.name: dc.contributor.author
metadata.value: Sayenkova-Melnitskaya, Ludmila P.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-22T20:36:45Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-22T20:36:45Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Sayenkova-Melnitskaya, L.P. (2020). Entertaining and glam strategies in film discourse of print media. Media Linguistics, 7 (3), 332–342.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu22.2020.305
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19574
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article discusses the entertainment strategies used in presenting the art of cinema on the
  pages of print media. Entertaining strategies in the conditions of the dominance of the processes of secularization become an important part of journalism in general, film criticism in
  particular. Attention is focused on increasing the hedonistic potential of the media, under the
  influence of technologies and the diminution of the ideas of anthropocentrism. The time of
  the development of cinema as a new kind of spectacle fell on the fin de siècle period in which
  the idea of humanity was questioned. Simultaneously with the development of cinema, the
  media practice about the presentation of “ubiquitous cinema” began to develop in newspapers and magazines. The article defines the different stages of the formation of film-critical
  creativity, in which the intensification of socio-cultural transformations, instead of analytical
  approaches, entertaining strategies began to be introduced. Author’s approaches, involving
  the discovery and presentation of artistically important meanings, began to be replaced by the
  expression of subjective representations. The fin de siècle period was repeated at the turn of
  the XX–XXI centuries — the era of glam culture with the ideological and aesthetic dominant
  of the glamorous world, when everything began to be seen in the rays of “glossy brilliance”,
  embellishment, and the replacement of traditional values with simulacra. The dominance of
  entertainment strategies in different types of the print media segment has led to the replacement of film criticism by film journalism, the main differences between which are in the field
  of author-editorial goal-setting. The use of certain communicative practices in modern cinema discourse, for the achievement of hedonistic goals, reveals a substitution of meanings, an
  excessive presentation of the author’s “I”, and a violation of ethical standards.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Media Linguistics;Volume 7; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: entertaining strategies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: glam strategies
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film discourse
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film criticism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film journalism
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Entertaining and glam strategies in film discourse of print media
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 332-342.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19574/1/332-342.pdf
resources.format: Adobe PDF
resources.size: 635,27 kB