title: New hero in the 1960s Hungarian fiction and film
metadata.name: dc.contributor.author
metadata.value: Iakimenko, Oksana A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-02-07T19:40:07Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-02-07T19:40:07Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Iakimenko O. A. New hero in the 1960s Hungarian fiction and film. Vestnik of Saint Petersburg University. Language and Literature. 2022, 19 (3): 595–606. https://doi.org/10.21638/spbu09.2022.312 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2022.312
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/39060
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article explores the formation of a new hero in Hungarian cinema of the 1960s against
  the background of transformations that took place in Hungarian society during the so-called
  Kádár Consolidation period, and in the context of changes that affected the country’s literature
  and film. The emergence of a new hero is closely connected with literature due to the traditional
  literary-centricity of Hungarian cinema. A brief description of the situation in literature
  and film in 1960s of this period is followed by references to three films-symbols of the era:
  Cantata by Miklos Jáncsó, based on József Lengyel’s short story, Age of Illusions by István
  Szabó and Good Evening, Summer, Good Evening, Love by Sándor Szőnyi and László Márton
  based on a short novel by Endre Fejes. The works of Jancsó and Szőnyi are screen adaptations
  of literary works (the book behind Szőnyi’s film is based on real events), while Sabo’s picture
  uses an original script, but using documentary materials. Versatile visual solutions, and an
  appeal to the current narrative techniques in current film speak in favor of the departure of
  1960s’ Hungarian films from texts’ adaptations and signal the desire to talk about modernity
  using new modalities and practices of European cinema, as well as principles of composition
  inherent in the Hungarian visual arts (especially photography).
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 19; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: Hungarian film
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: film protagonist
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: János Kádár Consolidation policy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: literature-centricity
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: New hero in the 1960s Hungarian fiction and film
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14895-Текст статьи-49499-1-10-20221206.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/39060/1/14895-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-49499-1-10-20221206.pdf
resources.format: Adobe PDF
resources.size: 782,81 kB