title: Contro tutto e contro tutti: The linguistic pragmatics of protest in the Italian futurists’ manifestoes
metadata.name: dc.contributor.author
metadata.value: Sokolova, Olga V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-06-29T22:37:38Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-06-29T22:37:38Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Sokolova O. V. Contro tutto e contro tutti: The linguistic pragmatics of protest in the Italian futurists’ manifestoes. Vestnik of Saint Petersburg University. Language and Literature. 2023, 20 (1): 98–116. https://doi.org/10.21638/spbu09.2023.106 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu09.2023.106
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/41718
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The speech act theory by J. L. Austin and the conception of the degree of strength of illocutionary
  force (point) by J. R. Searle and D. Vanderveken underlies the study of exercitive speech act
  as the act of objection/protest expressed by prepositions contro and against ‘против’. Historically,
  protest as a genre goes back to the Ancient rhetorical tradition, but in the 20th century, it
  has also become an aesthetic foundation of the Avant-garde poetic discourse. The expression
  of protest and a critical attitude towards the dominant discourse become one of the grounds
  for the interaction of the Avant-garde poetic and political discourses. Discourse and linguopragmatic
  analysis of the Italian Futurists’ manifestos is carried out from the standpoint of the
  linguistic creativity that manifests itself in the form of the Avant-garde linguistic experiment.
  Further, the Italian Neo-avant-garde (Neoavanguardia, Gruppo ‘63) develops the idea of confronting
  linguistic and cultural norms in its poetical texts and manifestoes like Linguaggio e
  opposizione (1961) by Nanni Balestrini or Ideologia e linguaggio (1965) by Edoardo Sanguineti.
  The markers of adversative semantics include such grammatical and lexico-grammatical
  means as но, однако, впрочем, против, напротив, вопреки, наперекор; ma, anzi, mentre,
  però, bensì, pure, eppure, contro, piuttosto, etc. The paper focuses on the pragmatic and semantic
  features of the preposition contro as one of the most frequent opposition markers in
  the Italian Futurists’ manifestos. The study distinguishes methods of deviation from standard
  use, aimed at increasing the illocutionary force and the performative potential of the message.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: The research is funded by the Russian Science Foundation grant no. 19-18-00040 and is carried out
  at the Institute of Linguistics, Russian Academy of Sciences.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 20; Issue 2
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semantics of opposition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: linguo-pragmatic experiment
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: exercitive
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: avant-garde poetic discourse
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: political discourse
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Contro tutto e contro tutti: The linguistic pragmatics of protest in the Italian futurists’ manifestoes
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 06.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/41718/1/06.pdf
resources.format: Adobe PDF
resources.size: 1,11 MB