title: The “Painted Bride” as an Emblem of Identity: Pomaks of Southern Bulgaria
metadata.name: dc.contributor.author
metadata.value: Olson, Laura
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-10-11T16:05:20Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-10-11T16:05:20Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2017-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Olson L. The “Painted Bride” as an Emblem of Identity: Pomaks of Southern Bulgaria. Vestnik SPbSU. Language and Literature, 2017, vol. 14, issue 3, pp. 326–340.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu09.2017.303
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/8490
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The revival programs of minorities provide a distinct contrast to the folk revival that has become part
  of postsocialist nation-building. When formerly or currently repressed minorities revive and perform
  publicly their folk culture, their acts do not fit the standard revivalist narrative of preservation of
  national heritage. The subject of this paper, the Pomaks of Bulgaria, are an unofficial, unrecognized,
  formerly and currently repressed minority within Bulgaria. In the postsocialist period they are beginning
  the process of ethnicity-building through multiple channels, including through folk music,
  dance, ritual and religious revival. Their conscious revival work is in its infancy, but is worth analyzing
  as it provides an interesting glimpse into the workings of indigenous revival led by local, in many cases
  self-educated, intellectuals. The performance of a wedding song on stage is the result of the work of
  local intellectuals, who are actively opposing assimilation. Refs 29. Figs 2.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 14; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: folklore
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: identity
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: construction of memory
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Pomak wedding ritual
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: revival project
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The “Painted Bride” as an Emblem of Identity: Pomaks of Southern Bulgaria
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 03-Olson.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/8490/1/03-Olson.pdf
resources.format: Adobe PDF
resources.size: 918,03 kB