title: National museums of communication and postal service in postal miniature of Germany, France and Russia
metadata.name: dc.contributor.author
metadata.value: Metelkin, Evgeny N.
metadata.lang: -
metadata.name: dc.contributor.author
metadata.value: Sokhor, Tatiana E.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2024-05-24T15:27:22Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2024-05-24T15:27:22Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Metelkin E. N., Sokhor T. E. 2023. National museums of communication and postal service in postal miniature of Germany, France and Russia. The Issues of Museology 14 (2): 146–160. https://doi.org/10.21638/spbu27.2023.201 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu27.2023.201
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/45425
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In the second half of the 19th century, almost simultaneously with the establishment of the
  Universal Postal Union (UPU) in 1874, postal museums began to open across Europe. The
  first postal museums opened in the UPU founding countries — Germany and Russia. The
  objectives and concepts of these museums were presented differently to their organizers. In
  Germany they tried to cover the history of the world mail, in Russia — the development of
  telegraph, as the most modern means of communication, and France — demonstrated a desire
  to become the capital of typology. The creation of postal museums, which were seen not only
  as cultural phenomena but also as a national strategic element, also involved national governments
  (or their departments). The Second World War changed not only philatelic themes, but
  also influenced changes in display activities. Today there are postal museums in virtually every
  country in the world, but not every philatelic production reflects the stages of their creation
  and development. Images of world postal museums, their creators and exhibits in the Timbrology
  media space emphasize that postage stamps, in addition to their main purpose — payment
  for postal messages, perform supplementary functions — advertising and educational.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 14; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: Communication Museum in Berlin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Ernst Heinrich von Stephan
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Postal Museum in Paris
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Eugène Weier
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Museum of Communication in St. Petersburg
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Karl Karlovich Lueders
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Alexander Stepanovich Popov
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: National museums of communication and postal service in postal miniature of Germany, France and Russia
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: Вопросы+музеологии(2-2023)-для+сайта-4-18+Метелкин,+Сохор.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/45425/1/%d0%92%d0%be%d0%bf%d1%80%d0%be%d1%81%d1%8b%2b%d0%bc%d1%83%d0%b7%d0%b5%d0%be%d0%bb%d0%be%d0%b3%d0%b8%d0%b8%282-2023%29-%d0%b4%d0%bb%d1%8f%2b%d1%81%d0%b0%d0%b9%d1%82%d0%b0-4-18%2b%d0%9c%d0%b5%d1%82%d0%b5%d0%bb%d0%ba%d0%b8%d0%bd%2c%2b%d0%a1%d0%be%d1%85%d0%be%d1%80.pdf
resources.format: Adobe PDF
resources.size: 10,68 MB