title: THE RELATIONSHIP BETWEEN WANG MENG AND THE RUSSIAN LITERATURE — A STUDY OF WANG MENG’S ACCEPTANCE AND VARIATION OF RUSSIAN AND SOVIET LITERATURE IN THE 30 YEARS OF CHINESE CONTEMPORARY LITERATURE
metadata.name: dc.contributor.author
metadata.value: Zhang, Mengyun
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-03-15T12:06:39Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-03-15T12:06:39Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2021-12
metadata.lang: -
metadata.name: dc.identifier.issn
metadata.value: https://doi.org/10.21638/11701/9785288062049.33
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/35730
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: Wang Meng is one of the Chinese writers whose works have been most translated
  in Russia, and even the sales of translations of the same work in Russia have
  greatly exceeded the sales in China. It can be said that Wang Meng’s influence on Russia
  is the same as that of Russian literature on Wang Meng’s life, and the latter is an
  indispensable cause of the former. This paper takes the period from the founding of the People’s Republic of China to the late period of 1980s as the timeline, the influence
  of Soviet literature on Wang Meng’s writing during the Sino-Soviet period, and the variation
  of Wang Meng’s acceptance of Russian and Soviet literature in the new period.
  Combined with text analysis, the author explains the literary phenomenon of writer
  Wang Meng. First of all, the influence of Soviet literature on Wang Meng’s writing during
  the Sino-Soviet period was divided into two parts: one is the “invisible” imitation of Russian
  and Soviet literature by contemporary Chinese writers; the other is Wang Meng’s
  inheritance and influence of Soviet literature. Among them, the Slavic spirit in Wang
  Meng’s works and the “revolutionary” theme in Wang Meng’s novels are the innovations
  of this article. In the second, the author separately analyzes three aspects: Wang
  Meng’s practice of Bakhtin’s carnivalized poetics, the change from idealism to realism,
  and the Orthodox spirit, Lao Zhuang thought and Wang Meng’s literary worldview. According
  to the language expression, the author’s creative style and the writers’ literary
  thought analysis, author explored Wang Meng’s acceptance and transformation of Soviet
  literary theories, literary genres, and Russian national spirit after the 1980s, and
  revealed Wang Meng’s reform and innovation in the literary path. Furthermore, from
  this perspective, examine the reasons why Wang Meng’s novel creation can stand on its
  own, repeatedly innovate, and the literary charm is evergreen.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Proceedings of the 9th International Conference "Issues of Far Eastern Literatures (IFEL 2021)";Volume 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: Wang Meng
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Russia and Soviet Union
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: literary phenomenon
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: influence
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: spirit
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: THE RELATIONSHIP BETWEEN WANG MENG AND THE RUSSIAN LITERATURE — A STUDY OF WANG MENG’S ACCEPTANCE AND VARIATION OF RUSSIAN AND SOVIET LITERATURE IN THE 30 YEARS OF CHINESE CONTEMPORARY LITERATURE
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 466-491.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/35730/1/466-491.pdf
resources.format: Adobe PDF
resources.size: 1,28 MB