title: Experience of studying ornaments on kiselnitsa from the collection of the Nizhny Novgorod State Reserve Museum of History and Architecture
metadata.name: dc.contributor.author
metadata.value: Gracheva, Maria P.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2022-10-06T12:08:54Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2022-10-06T12:08:54Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Gracheva M. P. 2022. Experience of studying ornaments on kiselnitsa from the collection of the Nizhny Novgorod State Reserve Museum of History and Architecture. The Issues of Museology 13 (1): 97–109. https://doi.org/10.21638/spbu27.2022.107 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu27.2022.107
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/38223
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article presents the experience of studying one of the types of peasant pottery — kiselnitsa.
  In the collection of Nizhny Novgorod Museum-Reserve there are kiselnitsy of the 19th — early
  20th centuries with relief ornaments that were imprinted on the kissel. This ritual dish was
  served in the Nizhny Novgorod Region at commemorations and weddings, so the kiselnitsa’s
  ornament is of particular importance. Researchers from different fields study ornament as an
  anthropological and cultural-historical phenomenon and come to the conclusion that it can
  indicate both the belonging of an object to a certain ritual and demonstrate a universal sign
  system adopted in a particular society. This is especially true for ethnographic objects. Numerous
  works on ornaments on traditional Russian embroidery and wood carving have already
  been written, but clay is little explored in this regard. However, kiselnitsy provide ample opportunities,
  since the ornaments on them are very diverse: geometric, vegetable, zoomorphic.
  The author examined eight objects with different ornamentation, divided the ornaments into
  types, and through universal signs characteristic of Slavic paganism as well as displayed in
  other types of Russian crafts, tried to reveal the meaning of the ornament and its belonging to
  a particular ritual. Only such an in-depth study of the object will allow us to better understand
  its cultural and historical significance and thereby expand its exposition possibilities in the
  museum. Communication with the object will be built in a new way: kiselnitsy can broadcast
  information not only about life, crafts and aesthetics of our ancestors, but about their ideas
  about the world and the rituals, traces of which are found in modern society.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 13; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: clay dishes
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: kiselnitsa
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ornament
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Nizhny Novgorod Museum-Reserve
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Experience of studying ornaments on kiselnitsa from the collection of the Nizhny Novgorod State Reserve Museum of History and Architecture
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14115-Текст статьи-46425-1-10-20220803.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/38223/1/14115-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-46425-1-10-20220803.pdf
resources.format: Adobe PDF
resources.size: 2,32 MB