title: The possibilities of art museums in preparing choreographers in China
metadata.name: dc.contributor.author
metadata.value: Ziyan, Long
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-03-20T12:37:01Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-03-20T12:37:01Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Ziyan Long. The possibilities of art museums in preparing choreographers in China. The Issues of Museology, 10 (2), 203–208.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2019.207
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/17265
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article provides an overview of the situation surrounding the training of classical European
  ballet choreographers in China. The difference between Chinese classical choreography
  and European ballet is described. It is noted that small educational institutions that are already
  preparing choreographers in the “classical ballet” profile not only require the technical
  component of instruction, but, above all, the cultural and historical knowledge of students.
  The museum is presented as an environment where future choreographers could gain the
  necessary cultural baggage. Thus, an analysis of the sculptural works of European artists can
  help to master the specifics of the composition of plastic forms, to understand the language of
  lines and bends, close to the European viewer. An analysis of the paintings provides an understanding
  of many works of ballet art, as many of them were inspired by canvases of masters.
  Museums also contribute to the development of the genre and style diversity of art. The article
  examines the situation in the museum industry of China, and notes the importance that is
  devoted to this field for the cultural development of citizens. At the same time, it is stipulated
  that almost all museums of the PRC are dedicated to Chinese national art and there are only a
  few museums that would exhibit works of art by European artists on an ongoing basis. Several
  recommendations are given by the author in order to include museums in the process of preparing
  Chinese ballet choreographers.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 10; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: museums
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: China
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: choreography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: training
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: synthesis of arts
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chinese choreography
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ballet
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The possibilities of art museums in preparing choreographers in China
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 203-208.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/17265/1/203-208.pdf
resources.format: Adobe PDF
resources.size: 672,63 kB