title: The category of “spirituality” in V. Krivulin’s articles
metadata.name: dc.contributor.author
metadata.value: Khairulin, Timur P.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2018-07-04T09:01:22Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2018-07-04T09:01:22Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2018-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Khairulin T. P. The category of “spirituality” in V. Krivulin’s articles. Vestnik of Saint Petersburg University. Language and Literature, 2018, vol. 15, issue 1, pp. 147–155.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu09.2018.112
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/10361
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: With the emergence of regular samizdat periodicals in the mid-70s. for the members of the
  “second culture” became aware of the need of conceptual understanding of the goals and objectives
  of the Leningrad uncensored poetry and its place in the cultural context. One of the literary-critical strategies that describe the specifics of the Leningrad unofficial poetry in the
  1970s was proposed by V. Krivulin in a number of the articles published in the journals Chasy,
  Obvodniy kanal, Thirty-Seven (37) and others. This article discusses the main critical thoughts
  of Krivulin about the concept of “spirituality” which combines the aesthetic and religious connotations.
  Krivulin’s critical articles are analyzed in the context of his participation in the
  religious and philosophical section organized by the poet together with T. Goricheva, within
  which the terminological language of self-representation of members of unofficial culture was
  formed. This language also included ethical models, through which Krivulin analyzed the
  works of uncensored authors. In his article on I. Brodsky, the poet’s work after emigration is
  regarded as a rejection of the “prophetic” function, which is the most characteristic feature of
  Leningrad poetry and also the main concept of the aesthetic program of Krivulin itself during
  this period. This article also raises the question of Krivulin’s passeism, his “retro-modern”
  desire to re-establish connection with the culture of the Silver Age by expanding the status of
  the poet and endowing him with prophetic properties. Partially examined the transformation
  of Krivulin’s views on the Leningrad unofficial poetry of the 1970s in the post-Soviet period,
  which was characterized by a focus on the adogmatism and independence of the worldview of
  the authors of that period.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Language and Literature;Volume 15; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: spirituality
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: samizdat
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: uncensored poetry
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: V. Krivulin
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: critical article
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: The category of “spirituality” in V. Krivulin’s articles
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 12-Khairulin.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/10361/1/12-Khairulin.pdf
resources.format: Adobe PDF
resources.size: 600,75 kB