title: Textile Painting by Cesare Tacchi
metadata.name: dc.contributor.author
metadata.value: Mitrofanova, Natalia Yu.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-09T19:52:30Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-09T19:52:30Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Mitrofanova, Natalia. “Textile Painting by Cesare Tacchi”. Vestnik of Saint Petersburg University. Arts 13, no. 2 (2023): 313–325. https://doi.org/10.21638/spbu15.2023.206 (In Russian)
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2023.206
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43666
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The work of the Italian artists of the Piazza del Popolo School is a unique period in the history
  of art of the 20th century. The activities of this association marked the birth of the Italian
  version of pop art. Despite the fact that the American and Italian pop movements existed in
  parallel and had similar external features, they were significantly different. These differences
  can be traced in the creativity of the members of the association. Cesare Tacchi was a member
  of this union. The path of this master represents an individual trajectory of artistic and conceptual
  development. One of the creative stages of Cesare Tacchi falls into the mid-sixties of
  the twentieth century. Experimental and innovative paintings of this time were created using
  industrially produced fabrics. Large-scale textile collages, in addition to being painted with
  enamel, pastels and felt-tip pens, also acquired a relief texture due to the furniture filler. Cesare
  Tacchi used a pick with nails or metal staples in accordance with the logic of the created image.
  That is why the artist ironically called himself “upholstery”, and called his textile collages
  “upholstery”. In them, we find images of artist’s friends, his own self-portraits or images made
  on the basis of photographs. The pattern, texture of the fabric and the softness of the emerging
  relief, together with the conceptual nature of the creative technique, made a great impression
  on the viewer and gave rise to new associations. Textiles simultaneously demonstrated the
  consumer culture of that time, turned from a subordinate material into a means of artistic
  expression, became an object of art and contributed to the emergence of a stream of new associative
  links, far from the consumer idea.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 13; Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: contemporary art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: textile painting
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: artistic textiles
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Italian pop art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Cesare Tacchi
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: textile collage
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Textile Painting by Cesare Tacchi
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 06.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43666/1/06.pdf
resources.format: Adobe PDF
resources.size: 4,16 MB