title: Street art: Can the street be placed in a museum?
metadata.name: dc.contributor.author
metadata.value: Prigarina, Irina A.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-09-30T10:12:49Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-09-30T10:12:49Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2020-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Prigarina I.A. 2020. Street art: Can the street be placed in a museum? The Issues of Museology 11 (1): 110–118.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu27.2020.111
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/19699
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: In today’s world, many works of street art, which until recently were a crime, become a part
  of the permanent collections in galleries and museums around the world, are appropriated by
  advertising, enter the process of commercialization, become institutionalized, conquer the art
  market. In a short period of time street art evaluation vector changed. Despite the popularity
  of this tendency, already recognized by many as the part of art, it is still a unique phenomenon
  that has a special character, certain aesthetics, carries important social, political, cultural messages, express protest. Till now there are discussions about this phenomenon about what sphere
  it belongs to, whether it is legal, whether it should be promoted and popularized and whether it
  can be placed in a museum. This article reveals the positive and negative aspects of the process of
  placing street art in museums, raises the question of how this undermines the idea and conceptual and symbolic meaning of street art, whether it has boundaries, how to change the perception of works of art in a confined space. The existing examples of street art museums in Russia
  and abroad are considered, the need to revise existing spaces and open alternative art centres is
  noted. Also here is paid the attention to the opinion of the artists, some of whom consider the
  placement of their works in museums and galleries the next stage of their careers, while others
  actively oppose this process, not allowing street art to be torn out of its “original” world.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: The Issues of Museology;Volume 11; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: street art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: graffiti
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: post-graffiti
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: museumification
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: contemporary art
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: gallery
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: museum
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: exhibition
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Street art: Can the street be placed in a museum?
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 110-118.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/19699/1/110-118.pdf
resources.format: Adobe PDF
resources.size: 604,51 kB