title: Mimesis as a Universal Principle the Form Making
metadata.name: dc.contributor.author
metadata.value: Bembel, Irina O.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-01-19T21:38:42Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-01-19T21:38:42Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2022-09
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Bembel, Irina. “Mimesis as a Universal Principle the Form Making ”. Vestnik of Saint Petersburg University. Arts 12, no. 3 (2022): 487–499. https://doi.org/10.21638/spbu15.2022.305
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2022.305
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/38877
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The stylistic method of revealing regularities, formed by the 19th century and dominating
  up until recently, proves to be ever less relevant to architectural and artistic processes of the
  Contemporary (Newest) times. To systemize the entire historical experience of architecture
  as a whole, more profound generalizations are required. An essential prerequisite for such
  generalizations appears to be the philosophical context of the paradigm shift: tradition — modernity
  —postmodernity. Without a clear understanding of all the differences between these
  paradigms, it is impossible to talk about the processes taking place in the architecture of the
  Contemporary times. The fundamental rejection of semantic binary oppositions (good/bad,
  beautiful/ugly, high/low, sacred/secular, etc.), typical for postmodernism, has entailed the issue
  of criteria for the value of art works, and consequently the criteria for art at large. The aim
  of this work is to demonstrate that the mimetic principle underlies the totality of the valuable
  qualities inherent in traditional architecture. And that, on the contrary, a gradual departure
  and subsequent factual rejection of this principle became one of the main reasons for both the
  emergence of the modern architecture phenomenon and its present crisis. The panoramic,
  holistic view of architectural development combined with the philosophical context of paradigmatic
  shift, allows not only to see the logic in the tortuous paths of the form making, but
  also gives the basis to build a system of universal criteria for architectural analysis.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 12; Issue 3
metadata.lang: -
metadata.name: dc.subject
metadata.value: mimesis
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: architectural form making
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: system of criteria
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: tradition
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: modernism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: postmodernism
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: contemporary architecture
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: evaluation method
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Mimesis as a Universal Principle the Form Making
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 14474-Текст статьи-47817-1-10-20221005.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/38877/1/14474-%d0%a2%d0%b5%d0%ba%d1%81%d1%82%20%d1%81%d1%82%d0%b0%d1%82%d1%8c%d0%b8-47817-1-10-20221005.pdf
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