title: “Robert le Diable” as a political metaphor of July monarchy
metadata.name: dc.contributor.author
metadata.value: Zhestkova, Olga V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2016-08-02T13:28:25Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2016-08-02T13:28:25Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2016-06
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Zhestkova O. V. “Robert le Diable” as a political metaphor of July monarchy. Vestnik of Saint-Petersburg University. Ser. 15. Arts, 2016, issue 2, pp. 4–18. DOI: 10.21638/11701/spbu15.2016.201
metadata.lang: en_GB
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/2529
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The paper is devoted to the political meaning of the opera Robert le Diable by G. Meyerbeer, E. Scribe,
  G. Delavigne in the context of social and political changes that followed the 1830 July Revolution.
  Robert le Diable was the first new staging in L’Académie royale de musique after administrative and
  economic reform. The new government of “illegitimate” King Louis-Philippe and a new administrative
  system of the Opera whose management was delegated to an entrepreneur were sharply criticized by
  the légitimistes. They argued that the Bourbons patronized the arts, therefore the Opera flourished,
  and the deposition of the legitimate King Charles X led to the fact that cultural institutions became
  effete. Consequently Orléaniste elite considered a luxury setting of Robert le Diable as a way to appease political opposition’s dissatisfaction with new regime. The opera became a success due to the novelty
  of the music, magnificence and showiness of performance. The authors of the opera and theater
  administration made every effort to avoid any inflammatory allusions in the text and in the staging.
  However, contemporaries interpreted it as a political metaphor reflecting the contradictions of the new
  government which followed both the monarchical and liberal principles. Refs 31.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: Статья подготовлена в рамках поддержанного РГНФ научного проекта № 14-04-00371.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Series 15. Arts;Issue 2
metadata.lang: -
metadata.name: dc.subject
metadata.value: “Robert le Diable”
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: opera
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: G. Meyerbeer
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: staging
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: success
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: July Revolution
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: July Monarchy
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: le Roi-Citoyen
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Louis-Philippe
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: political metaphor
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: “Robert le Diable” as a political metaphor of July monarchy
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: Жесткова.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/2529/1/%d0%96%d0%b5%d1%81%d1%82%d0%ba%d0%be%d0%b2%d0%b0.pdf
resources.format: Adobe PDF
resources.size: 179,84 kB