title: Music and ballet in A. Shakhovsky‘s play “Aristophanes, or the Performance of the Comedy ‘the Riders’”
metadata.name: dc.contributor.author
metadata.value: Maximova, Alexandra E.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2017-12-16T16:54:03Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2017-12-16T16:54:03Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2017-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Maximova A. E. Music and ballet in A. Shakhovsky‘s play “Aristophanes, or the Performance of the Comedy ‘the Riders’”. Vestnik SPbSU. Arts, 2017, vol. 7, issue 4, pp. 382–394.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: 10.21638/11701/spbu15.2017.401
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/8763
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The “Historical comedy” by A. A. Shakhovsky “Aristophanes, or the Performance of the Comedy ‘the
  Riders’” (1825), associated with a long literary controversy, is still discussed today. The comedy contained
  the music of С. A. Сavos and the ballet scenes of Ch. Didlo — permanent collaborators of Shakhovsky.
  Unfortunately, the problem of the musical and choreographic composition of the play has not
  been previously considered. The article is devoted to the history of the creation of the work, examining
  its literary sources and musical manuscripts from the archive of the Glinka National Museum
  Consortium of Musical Culture. The author makes an attempt to reunite the libretto and the score of
  the composition, to determine the place of music and ballet in the play. Of particular importance are
  handwritten notes on the margins of the musical text, containing the names of the dancers, the date of
  performance of the play, instructions for the entry of the actors and the corps de ballet. The opening
  of “Aristophanes” are major vocal-choreographic scenes of end-to-end development, innovative in the
  dramatic theater. Refs 7. Figs 4. Tables 2.
metadata.lang: en_GB
metadata.name: dc.description.sponsorship
metadata.value: Статья выполнена при поддержке гранта РФФИ (проект № 16-04-00473 «Русский балетный
  театр на рубеже XVIII–XIX вв.»).
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of St Petersburg University. Arts;Volume 7; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: Russia
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: history
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: theater
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical drama
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: ballet
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Cavos
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Shakhovsky
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Music and ballet in A. Shakhovsky‘s play “Aristophanes, or the Performance of the Comedy ‘the Riders’”
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 01-Maksimova.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/8763/1/01-Maksimova.pdf
resources.format: Adobe PDF
resources.size: 1,45 MB