title: Аллегорическая программа «Портрета царевен Анны Петровны и Елизаветы Петровны» из Чинарового кабинета дворца Марли в Петергофе
metadata.name: dc.contributor.author
metadata.value: Skvortcova Ekaterina, Скворцова Екатерина
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2020-06-16T12:38:02Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2020-06-16T12:38:02Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-10
metadata.lang: -
metadata.name: dc.identifier.issn
metadata.value: 2409-8744
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/18313
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: This paper is the first to bring together and analyze the data from scholarly literature, as well as from publications and archives related to the three portraits of Peter I’s children from the Chinar Study in the Peterhof Marly palace. They were a double portrait of young Tsarinas Anna and Elizaveta and two paired portraits of single boys depicted as Cupids. These paintings were lost in fire in 1901. Louis Caravaque mentioned these three portraits in the list of his artworks and stated that they were created in 1721 for ‘the Chinar Study in the new Mon Plaisir in Peterhof’. The paper covers versions offered in different publications regarding the persons portrayed in two of these paintings depicting a little boy (Tsarevich Petr Petrovich? Tsareviches Petr Petrovich and Aleksei Petrovich? Allegorical compositions with no portrait likeness?). However, the final conclusion cannot be made based on materials available. The photo of the Chinar Study from the Peterhof State Museum Reserve archive is published for the first time. It was made before Marly’s restoration in 1898–1899, and captures the corner of the study with the one of the paired Cupids and the portrait of Tsarinas Anna and Elizabeth which have so far been known from written sources only. This photo makes it clear that the portrait of Tsarinas Anna and Elizaveta deposited in the Museum of Fine Arts in Petrozavodsk, Republic of Karelia, is a copy of their portrait from Marly. The photo demonstrates the remarkable artistic quality of the original portrait.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: Человек и культура
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Chinar Study, Marly, Peterhof, Louis Caravaque, Peter the Great, Russian art, 18th century, tsarevna Anna Petrovna, tsarevna Elizaveta Petrovna, tsarevich Petr Petrovich, tsarevich Aleksei Petrovich
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Чинаровый кабинет, Марли, Петергоф, Луи Каравак, Петр I, русское искусство, XVIII век, цесаревна Анна Петровна, цесаревна Елизавета Петровна, царевич Петр Петрович, царевич Алексей Петрович
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Аллегорическая программа «Портрета царевен Анны Петровны и Елизаветы Петровны» из Чинарового кабинета дворца Марли в Петергофе
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: Петровское время в лицах с обложкой.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/18313/1/%d0%9f%d0%b5%d1%82%d1%80%d0%be%d0%b2%d1%81%d0%ba%d0%be%d0%b5%20%d0%b2%d1%80%d0%b5%d0%bc%d1%8f%20%d0%b2%20%d0%bb%d0%b8%d1%86%d0%b0%d1%85%20%d1%81%20%d0%be%d0%b1%d0%bb%d0%be%d0%b6%d0%ba%d0%be%d0%b9.pdf
resources.format: Adobe PDF
resources.size: 1,19 MB