title: Verbal and musical texts: Interactions of semiotic codes
metadata.name: dc.contributor.author
metadata.value: Dmitrieva, Maria
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2023-08-08T19:31:22Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2023-08-08T19:31:22Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2023-03
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Dmitrieva M. Verbal and musical texts: Interactions of semiotic codes. Scandinavian Philology, 2023, vol. 21, issue 1, pp. 96–106. https://doi.org/10.21638/11701/spbu21.2023.106
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/11701/spbu21.2023.106
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/43640
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The purpose of the paper is to identify the mechanisms of interaction between two
  sign systems: the verbal text of the Dutch rhymed psalms of the 19th century and the
  musical text of the melodies. The text is broadly understood as an ordered set of semiotic
  codes that carry certain information. The discussion of both linguistic and musical
  material with the use of musicological and linguopragmatic analysis is innovative. In
  the course of the study, an attempt was made to establish the relationship between the
  type of rhyme and the way of musical arrangement of the text. For poetic texts with a
  cross rhyme, there is a tendency to use repetitions of the melody in accordance with
  the rhyme. Texts with a more complex rhythmic organization of the verse are decorated
  with variations or author’s reworking of the original melody. At the same time,
  the processing of musical material obeys the generally accepted patterns of melody
  development within the range of one octave. With a more detailed analytical review,
  different types of ways of using the original melodies and adapting them to the needs
  of choral church singing can be identified. The determining factor in the choice and
  interpretation of the original folk melody is the text of the psalm. Melodies do not have
  independence, but are completely subordinated to the verbal text. At the same time,
  the musical arrangement serves as an auxiliary means of accentual articulation and
  enhances the aesthetic function of the poetic text.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: en
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Scandinavian Philology;Volume 21; Issue 1
metadata.lang: -
metadata.name: dc.subject
metadata.value: semiotic code
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: musical text
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: music and word
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Lutheran psalm
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: semiotics
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Dutch
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Verbal and musical texts: Interactions of semiotic codes
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 06_Dmitrieva-M.-VERBAL-AND-MUSICAL-TEXTS-INTERACTION-OF-SEMIOTIC-CODES-1.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/43640/1/06_Dmitrieva-M.-VERBAL-AND-MUSICAL-TEXTS-INTERACTION-OF-SEMIOTIC-CODES-1.pdf
resources.format: Adobe PDF
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