title: Lucho Fontana’s ‘Specialist Manifesto’ and Salvatore Sciarrino’s Concept of Sound Space
metadata.name: dc.contributor.author
metadata.value: Lavrova, Svetlana V.
metadata.lang: -
metadata.name: dc.date.accessioned
metadata.value: 2019-12-12T16:53:22Z
metadata.lang: -
metadata.name: dc.date.available
metadata.value: 2019-12-12T16:53:22Z
metadata.lang: -
metadata.name: dc.date.issued
metadata.value: 2019-12
metadata.lang: -
metadata.name: dc.identifier.citation
metadata.value: Lavrova, Svetlana. “Lucho Fontana’s ‘Specialist Manifesto’ and Salvatore Sciarrino’s Concept of Sound Space”. Vestnik of Saint Petersburg University. Arts 9, no. 4 (2019): 637–654.
metadata.lang: en_GB
metadata.name: dc.identifier.other
metadata.value: https://doi.org/10.21638/spbu15.2019.403
metadata.lang: -
metadata.name: dc.identifier.uri
metadata.value: http://hdl.handle.net/11701/16822
metadata.lang: -
metadata.name: dc.description.abstract
metadata.value: The article is devoted to the relationship between the ideas of spatial organization in
  contemporary art and music. The spatial category is fundamental in the development of
  creative strategies for artists, belonging not only to the types of art that were traditionally
  considered spatial, but also to those that belonged to the field of temporary arts, such as music.
  The artist in this case is understood not in the context of belonging to the visual arts, but in a
  broader sense. Art, representing various projections of physical space into art, allows for work
  with both spatial and temporal characteristics. In the process of analyzing spatial concepts,
  the author refers to the paintings of the Italian artist Alberto Burri, as well as to the “White
  Manifesto” and the works of the Italian artist Lucho Fontana. The creative concept of the
  Italian composer Salvatore Sciarrino is based primarily on the spatial perception of sound and
  a special composer strategy for the preliminary construction of a graphic equivalent of sound
  space. In his book “The Figures of Music: From Beethoven to the Present,” the composer turns
  to the works of the artists mentioned above and considers his spatial ideas as the projection
  of their paintings in music. Analyzing the works of Sciarrino, such as “Studi per l’intonazione
  del mare,” “Infinito nero,” sonatas for piano, theoretical works, such as “Le figure della musica:
  da Beethoven a oggi” and “Carte da suono scritti,” the author comes to a conclusion regarding
  the generality of ideas of Italian artists and composer.
metadata.lang: en_GB
metadata.name: dc.language.iso
metadata.value: ru
metadata.lang: en_GB
metadata.name: dc.publisher
metadata.value: St Petersburg State University
metadata.lang: en_GB
metadata.name: dc.relation.ispartofseries
metadata.value: Vestnik of Saint Petersburg University. Arts;Volume 9; Issue 4
metadata.lang: -
metadata.name: dc.subject
metadata.value: White Manifesto
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Lucho Fontana
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Salvatore Sсiarrino
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Alberto Burri
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: new music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: spatial music
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: space organization
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: sound space
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: sound cards
metadata.lang: en_GB
metadata.name: dc.subject
metadata.value: Sсiarrino’s naturalistic conception
metadata.lang: en_GB
metadata.name: dc.title
metadata.value: Lucho Fontana’s ‘Specialist Manifesto’ and Salvatore Sciarrino’s Concept of Sound Space
metadata.lang: en_GB
metadata.name: dc.type
metadata.value: Article
metadata.lang: en_GB
resources.filename: 637-654.pdf
resources.url: https://dspace.spbu.ru/bitstream/11701/16822/1/637-654.pdf
resources.format: Adobe PDF
resources.size: 6,12 MB